GOOD GRIEF HAVE ‘BEEN HERE BEFORE’- NEW EP, UPCOMING REMIX’S, WORKING WITH MICKEY KOJACK, & BEING IN NORTH QUEENSLAND

The electrifying duo hailing from Magnetic Island, Yunbenun, and Townsville's Gurrambilbarra, known as Good Grief, have set the music scene abuzz with the announcement of their much-anticipated debut EP, "Been Here Before,". 

This EP not only serves as a cornerstone in their budding discography but also lays down a marker for their future musical endeavors.

The lead track of the EP, "NOMO," emerged from an intense writing session on Magnetic Island, where the duo immersed themselves in a makeshift studio for a week. This track not only guided the thematic direction of the EP but also set the tone stylistically, blending dark house elements with euphoric synth waves. Felix, one half of Good Grief, describes "NOMO" as a journey through dark times, finding solace in reflection, and ultimately moving forward.

"Been Here Before" is a testament to Good Grief's artistic journey, touching upon profound ideologies like growth and resilience. While the EP occasionally delves into darker themes, there's always a glimmer of hope that shines through, showcasing the duo's ability to navigate through contrasting emotions working with Producer, and Mixer ‘Mickey Kojack’ 

Jake, the other half of Good Grief, reflects on the EP's creative process, highlighting the contrast between their older and newer tracks. He emphasizes how this journey has not only shaped their sound but also allowed them to explore new musical territories, marking a significant evolution for the duo.

Drawing inspiration from a diverse range of influences spanning from Dilla to Chic, Good Grief seamlessly fuses their distinct musical backgrounds with a shared passion for modern dance music. Their debut single, "Sun," garnered immediate attention, earning them accolades like a premiere on Triple J Unearthed and features in prominent indie playlists.

Both Felix and Jake bring a wealth of experience to the table, with Felix having performed as a professional dancer to sold-out audiences globally, while Jake has honed his production skills playing at festivals and clubs across Australia and New Zealand. Their recent sold-out New Year's Eve show in Townsville is a testament to their growing popularity and magnetic stage presence.

Good Grief's music defies categorization, blending various styles and moods effortlessly. With their debut EP on the horizon and a remix of "SUN" in the works, the future looks incredibly promising for this dynamic duo. Keep a close watch on their socials for updates and immerse yourself in the electrifying world of Good Grief.

---

How are you Jake & Felix? 

J - lovely thanks! 

F- Really good thanks!

How’s the weather up north at the moment?

J - The weather is very tropical at the moment, its either very hot or raining. I love this time of year because we’re coming out of the full summer heat and everything starts to green up. 

Give our readers an insight into Good Grief, and how you and Felix came together?

J - Felix and I had been friends since about 2018 and immediately clicked as friends, we had heaps in common. Around 2019 I started working at a local live music venue / night club and Felix learnt how to DJ and he became a regular playing shows with us. Eventually Felix picked up the guitar again and started doing cover gigs and writing original songs. One thing kinda lead to another and we started working together.

During that period i was focusing on a different project called “Hood Rich” which was house music focused and with covid taking our clubs for so long my writing shifted from club music to basically anything i felt like. Was pretty good timing that felix was getting into music as i was shifting focus i guess!

F - Exactly what Jake said haha! When we met we really clicked on a bunch of different levels, but I was also really inspired by Jake as an artist/creator. He’s so passionate about music and he introduced me to so many new genres/artists I'd never heard of - particularly in the Electronic Dance Music world. Jake has always had incredibly strong visions for his sound (whether that be when he creates or when he would throw festivals/parties) and I was always so inspired by his depth of knowledge and attention to detail over these parts of his process.

Also Jake pretty much taught me how to produce music/DJ which is pretty rad! 

What has influenced the sounds of Good Grief? I see you’ve listed Dilla and Chic; anyone else that you pull inspo from for writing music?

J - Artist influences constantly change for me but there’s a bunch of producers that have always inspired me - people like Philippe Zdar (rip) Tim Goldsworthy, Danger Mouse, Paul Epworth, James Murphy, Joseph Mount, Mf Doom, Kevin Parker, Nile Rodgers, so many more but i dont wanna keep rambling. 

F - Yeah such a mix for good grief! And like Jake said, it changes a lot. I remember when we were writing the first ep we were both loving Durand Jones and the Indicators, LCD Soundsystem and Sault to name a few. But I’d say our newer stuff has a Tame Impala/Talking heads vibe to it.

Are you playing live instruments on this new ‘EP’, or are you pulling samples more than anything?

J - Basically everything is recorded live besides the drums which I spend a lot of time trying to make the samples feel unique to our music. All the effects are done with keyboards then manipulated in ableton as well. We try to avoid using melodic or instrument samples as much as possible to try to create something new. 

How was it working with Mickey Kojack on this EP? Any good stories?

J - Mickey did  the mix downs on this EP after we’d recorded and produced everything but he just came up to Townsville recently to work with me on the follow up EP. I don't think there’s any stories that are good one liners but I’ve worked with Mickey for years and it's always a blast, the guys a legend, an amazing musician/producer and we always have a lot of fun. 

F - Yeah he’s awesome! I did a vocal session with him in Sydney and he was just so welcoming and supportive. At that time I was semi-new to recording/music production and he was the best hype man haha!

Can you give us some insight into putting together ‘Sun’ and ‘Have It All’ the two lead singles of the Record?

J - both are pretty different processes. 

For Sun we were on Magnetic Island recording a bunch of demos and our friend Raymond was over there at the time and he helped us write Sun. Felix wrote the main synth line and originally we were planning the track to be a slower jam then I decided to swap the BPM and drums up to a more dance driven track and the rest of the instruments and vocals kinda wrote themselves. I think that track was almost fully wrote in a few hours.

Have It All; I’d been in New Caledonia on holidays for a couple weeks and each day i’d write a new beat idea and this track was in the pile once i returned. I showed Felix everything id worked on over there and this track jumped out to him. Again i think we wrote all the main parts and a basic structure in an hour. It’s always fun when tracks come together that fast, its an amazing feeling!

Do you have plans to play live? Or are you primarily sticking to Dj sets?

J - We played live twice last year opening for Donny Benet and The Delta Riggs. We’re hoping to plan a run of dates along the east coast for sometime this year. I think after every live show we will likely try find a place to DJ afterwards as well. Felix and I have DJ’d for years and its great to play a set that represents our sound in the club.  

What are your go-to records for listening when you have downtime?

J - I like listening to a lot of lowrider oldies and newer soul stuff to chill out but 5 classic comfort albums for me would be:

since i left you - avalanches

bright like neon love - cut copy

anything 1999 to 2006 by MF Doom and his various alias’

On the green again - tiger & woods

Nights out - metronomy 

F - Run it Back - Homebrew 

It’s all a bit fuzzy - Neil Frances

Young Heart - Benny sngs

Heaps of Daryl Hall and John Oates.

Silk degrees - Boz Scaggs

What’s it like being based in North Queensland? What is the music community like up there?

J - the community is pretty tight and strong. We have a great bunch of local musicians across a lot of different genres but because the city is so small it feels like a lot of people support each other regardless of genre differences.

F - I love the lifestyle here. It’s so spacious and really allows me to be so creative with my time. And yeah, the community up here is so tight/supportive. 

I personally pull alot of Justice, Jungle, LCD Soundsystem out of your music, that’s my personal take, but how would you describe your music to a new listener

J - yeah they’re definitely big influences. We don't intentionally aim for this when writing and recording but i think we sound like chill out music you can party too. 

What’s next for Good Grief, I hear a few remixes?

J - currently working on a remix for Mickey Kojaks new single. We have a remix of Sun coming out heaps soon - I wanted to make a remix we could play in our DJ sets that wasn’t the original and also kept the club sound system in mind. 

We’re currently hard at work on our second EP so hopefully we’ll have a single coming out in the next few months, and hoping to be on the road at some point soon too!

Where can we catch you?

Check us out on spotify and instagram!
https://www.instagram.com/goodgrief_band/
https://open.spotify.com/artist/44vTKdC4JwZej8SuMM7UgB?si=U1k7OYq8T8-nFbsLnmjawQ 

Any last words?

J - Thanks heaps for chatting with us, really appreciate the support! 

Everyone who reads this should go listen to the EP 10 times, tell you aunty and pop to do the same, let's get these numbers up baby!

F - Thanks for having us!

Follow Good Grief
Instagram Facebook

SIX STEPS TO SUPPORT LIVE MUSIC....From the ground up. - By Alex Lahey

A few days ago, Splendour In The Grass announced it would not be going ahead in 2024. For those who might be unfamiliar with what this means - Splendour In The Grass is a three day music festival founded in 2001 that is considered the biggest music festival in the Australian calendar. To be programmed on the Splendour line up is a bucket list item for many Australian pop, rock, hip hop and dance acts. It holds an enormous amount of cache in the Australian cultural landscape, is a rite of passage for music fans and has typically been a “blue chip” event in an ever changing live music landscape.

Despite the domestic scene making noise about the waning state of Australian live music since the advent of the pandemic, it is the cancellation of a number of large scale events that has bought the conversation into the mainstream - I’m talking national television news coverage, discussions in Parliament and talkback radio deep dives.

However, the discussion about Splendour In The Grass and other domestic festivals being cancelled is bigger than a discussion about the festival market in Australia. It’s about Australian cultural identity and engagement. What has shifted and how to do we recover a market and scene that we know and has proven to be loaded with world-class talent and output?

Given the current cost of living crisis along with an appetite for a less conventional approach towards live music events (hey, Fred again..), I think it’s up to audiences, governments, artists and organisers to be investing in and supported to pursue a more grassroots approach towards live music.

The other week, I was working the door at Clingan Guitar Tone in Collingwood as four of Melbourne’s most exciting songwriters traded songs for 90 minutes as part of Deep Cuts Vol 1 - a songwriters in the round event organised and curated by the live music initiative founded by Sophie Payten and I called Over Our Dead Body. A small but captivated audience listened, sang, laughed and even cried as they were brought into the worlds of these songwriters and their music for a reasonable ticket price. Before me, I could see the genuine appetite for domestic talent and a desire for events that think outside the box and break the mold.

I don’t believe the Australian live music market has vanished, as some have suggested. I don’t think Gen Z is disinterested in live music and I don’t think that people over the age of 40 don’t want to go to gigs. But I do think there needs to be more of an emphasis on live music events that don’t break the bank for audiences to attend and for artists and promoters to put on. It’s times like these that we all need that kind of security and unfortunately, not everyone is getting that with the existing music festival model that we historically know and love.

But let’s zoom out for a second. If you’re reading this, it’s highly likely that you are a fan of live music and are maybe wondering what you can do to help support your local scene. It doesn’t matter where you are in the world - the global live music industry is facing many of the same issues.

So here’s AL’S SIX STEPS TO SUPPORT LIVE MUSIC and you can support live music wherever you are:

1. Pick a gig in your town that’s happening this month - it doesn’t matter if you’re familiar with anyone on the line up. Invite a mate (or fly solo) and buy your tickets IN ADVANCE. I know it’s sometimes tricky to know what your movements from one week to the next and you don’t want to commit yourself to something you might have to tap out of, but by buying a ticket in advance, you are communicating to the artists, agents, venues, promoters, managers and even your fellow audience that there is demand for a given show. Why do you think festivals are getting cancelled? It’s because they’re not convinced there’s enough consumer demand for the event (ie ticket sales), therefore making it too much of a financial risk to pursue.

2. Try to find set times and get to the show in time for the opener - this way you get your full ticket price’s worth AND you might discover a dope artist you’d never heard of before. [Hot tip: if you can’t find set times, the first act is generally on stage 30 minutes after doors]

3. This bit is super easy - enjoy the show! Be present, sing along, move around! Yeah, it might be a work night, but despite what your prior experiences of going to gigs may be, you don’t have to be drinking to enjoy live music - you could even have a couple of 0% beers or those sweet, sweet post-mix Diet Cokes and, get this, not have to shell out for an Uber and drive yourself home :’)

4. If you’re lucky enough to have a lil extra cash to burn, swing by the merch desk and grab a t-shirt or a record or a tea towel or a sticker. Even if you don’t have the pennies to snag some merch, it’s not out of the question that some of tonight’s performers might be lurking there and you should totally tell them they crushed it tonight - we love that shit.

5. Now, here’s an important but overlooked step: tell your mates about the show! Post a story to Instagram, tag the bands. You don’t even have to be that public - make a playlist for your buddy including some of the best songs you heard tonight. Live music is not to be gate kept. In fact, live music is a social phenomenon that doesn’t begin and end at the doors of the venue. In my experience, word of mouth is one of the most trusted ways by which people discover new music - far more than the ones and zeroes that dictate what comes up on our phone screens. So spread the word!

6. Repeat steps 1 through 6.

And there you have it. Some of the most transcendent experiences I’ve ever had have happened in small band rooms - I’ve made life long friends, fallen in love, learned new things, explored my identity, been inspired and exposed to things I never knew existed, let alone discovered a new band to obsess over at gigs. All that is waiting for you too. You’ve got nothing to lose and everything to gain.

Support local music. Go to local gigs. Contribute to the culture. You won’t regret it. Until next time,

AL x

INTERVIEW: CHARLIE HANRHAN IS GOING IN ‘CIRCLES’

We caught up with Melbourne based artist ‘Charlie Hanrhan’ about his new single ‘CIRCLES’, Blending Genres and Emotions

At just 23 years old, Charlie Hanrhan from the Mornington Peninsula in Melbourne is making waves in the music industry with his unique sound and introspective lyrics. The self-produced multi-instrumentalist singer-songwriter is gearing up for the release of his latest single, 'Circles,' debuted on Feb 10. With influences ranging from Little Simz to David Bowie, Hanrhan's music combines modern trap electronic production with elements of hip-hop, soul, and rock n' roll, creating a captivating sonic experience for listeners.

Hanrhan's musical journey is deeply rooted in his love for various genres, including soul, funk, hip-hop, and rock n' roll. His upcoming album, slated for release in 2024, promises to showcase his versatility and creative vision. Despite drawing comparisons to established artists like Rahgd and Kendrick Lamar, Hanrhan maintains a distinctive style that sets him apart in the industry.

In a recent statement, Hanrhan expressed his passion for music, describing it as his escape and the love of his life. He spends countless hours in his home studio crafting intricate beats, meaningful lyrics, and immersive melodies that resonate with listeners on an emotional level. His dedication to his craft is evident in the depth and sincerity of his musical compositions.

One of Hanrhan's previous successes, 'I'm Good, I'm Rich,' garnered attention from various platforms, solidifying his presence in the music scene. He has been featured on radio shows like RppFM's Sunday Sessions and gained recognition from publications such as Happy Mag and Aus Music Scene. Hanrhan's upcoming album is highly anticipated, with fans eagerly awaiting his next musical chapter.

Despite his busy schedule as a full-time Support Worker, Hanrhan devotes over 30 hours a week to creating music, showcasing his relentless work ethic and commitment to his artistry. He describes his sound as challenging to categorize but believes that the right audience will connect with his expressive techniques over time.

'Circles,' Hanrhan's latest single, delves into themes of self-awareness, personal growth, and mental health. The track reflects on mundane yet profound moments in life, urging listeners to stay positive and true to themselves. Accompanied by meticulously crafted music videos, the single promises an immersive experience that captures the essence of Hanrhan's artistic evolution.

As Charlie Hanrhan continues to evolve and push boundaries in the music industry, 'Circles' serves as a testament to his talent and dedication. With a message that resonates with audiences worldwide, Hanrhan invites listeners to join him on a sonic exploration of life's highs and lows, promising an unforgettable musical journey.

For more information and to connect with Charlie Hanrhan, visit his social media links here.

For More Info, and social media links:
https://msha.ke/charliehanrahan 

---

INTERVIEW 

Can you tell our readers about your new single 'Circles', and a little bit about who you are?

Hello readers, my name is Charlie. Hop you’re doing well and cheers for reading this. You know what would be cool. If we broke the fourth wall right now ahah. Hit me up on insta or wherever tf and tell me how you are lol (@charliehanrahan__)…. Shameless promo x. I’m a 23 yo dude from the Mornington Peninsula, Vic. This song is basically about breaking free and reflection of being trapped in somewhat toxic lifestyles surrounding drugs, alcohol, and partying etc. I find myself easily manipulated into environments that I really don’t feel apart of. 

Who did you work with for this single, and what does the name of the track mean?

So basically everything bar those angelic backing vocals you hear towards the end was produced by myself. The title of the track represents the patterns of them unhealthy lifestyle habits I speak about. You know, work for the weekend, party for days straight. Allll of that shit.  

How do you put music together, or do you work with a Producer, if so who?

No producer. I’ve tried working with various producers in the past but I just have such a specific sound in mind when creating and I know that if it’s not exactly how I like it, it just won’t work out. So generally I work alone. I get that that might be seen as boxing myself in but it works for me, that’s how I like to do things. So it’s just hours and hours in my home studio. A. Song will come together over time though. Often I will completely finish a song and if it doesn’t quite hit, I’ll strip down that entire song and start from square one. 

What are some of your go-to records to listen to, when you're either chilling or working on new music?

It really does vary so much, I created this particular record so long ago I’d have no idea what I was listening to at that time. At the moment I’ve been enjoying Sampha’s new album a lot. I’ve also been going through a Yatchy phase and Scaring The Hoes is on repeat. 
Anything exciting coming up over the next few months?

You know I’ve always got projects on the go behind the scenes without a plan on when to release them. So, I might have an album out next week or in 6 months time. I act irrationally with these things. People say that’s a bad way to do it but my audience will find it eventually lol. I’m sort of beyond the point of really giving a f*ck about what people say because at the end of the day I do this for myself. Also I’m moving to London to try make something out of myself. It doesn’t seem to be working for me in Aus. So imma hit the road. Right in the deep end you know.

What other artists and or creatives are from your community, and who should our readers get across?

A couple names come to mind straight away. I’ve been gracious enough to play along side Squid the Kid and his crew over the past few months. Squid had me play some bass with his band at some shows that was just so much fun ! I’ve also been gracious enough to play bass with Seaweed on Sticks. Som e more legends who’ve had me on board. Getting to know both of these artists and work along side them has been such a great joy. They’re both insanely talented crews and even better people. 

What do you like to do, outside of writing, recording and playing music?

Ahahah not much lol. Music consumes me. I like to swim. Always get some laps in at my local pool. Shoutout to YAWA down in Rosebud. They’ve also got a dope ass sauna in there. I also love food and with that, a healthy lifestyle. 

Do you have any shows coming up? Any last words?

No shows. I’m leaving for London as I said.  Booking a show would just be too stressful for me at this point. Uhhhhhh I’ll sign off by saying thank you and I love you. 

COME OUR WAY FOR THIS WAY NORTH

We caught up with Renowned Duo ‘This Way North’ who released Debut Album 'Punching Underwater' 

Indie pop-rock duo This Way North, comprising Cat Jungalwalla and Leisha Leahy, is gearing up for the highly anticipated release of their debut album, 'Punching Underwater,' set to hit the shelves on February 8th, 2024. This musical endeavor is a collaborative masterpiece between the award-winning artist Ainslie Wills and accomplished engineer-producer Jono Steer, promising a blend of creativity and expertise that fans have eagerly awaited.

The journey leading to 'Punching Underwater' has been a fascinating one for This Way North. Having traversed various landscapes across Australia and beyond, the duo found themselves amid the serene Dhudhuroa country in north-east Victoria during the pandemic. Here, amidst ancient trees and high-country valleys, they exchanged the nomadic lifestyle for a temporary home, allowing a pause that became a haven for creative expression, shaping the essence of their forthcoming album.

This Way North has steadily climbed the ladder of recognition, previously honored as Music Victoria's Best Regional Act. Their repertoire includes three EPs, and they've gained prominence not just in Australia but also in New Zealand and Canada, sharing stages with notable artists like Vika and Linda Bull, Ash Grunwald, and Kate Ceberano.

The debut single from 'Punching Underwater,' titled 'My Love,' made its debut in October 2023. Featuring the mesmerizing sounds of Christine Tootoo's Inuit throat singing from Iqaluit, Arctic Canada, the single quickly gained national rotation on Double J and secured a top-5 position on the AMRAP charts, resonating deeply with their dedicated fan base and setting high expectations for the album's release.

In 'Punching Underwater,' This Way North showcases their peak songwriting and performance abilities, weaving together musical and lyrical elements that highlight their creative prowess. With Ainslie Wills stepping into the role of producer for the first time and collaborating with long-time creative partner Jono Steer, the album reflects a synergy that allowed Cat and Leisha to delve deeper into each song, refining them to showcase their exceptional talents.

Recorded across studios in Melbourne and Romsey, central Victoria, each track on the album radiates lush, dynamic sounds, standing out both individually and collectively. Cat Leahy's vibrant, powerful drumming and Leisha Jungalwalla's intricate guitar tones and slide guitar chops are meticulously crafted, forming the backbone of the album's sonic landscape. Additionally, guest vocals from Xani, Little Wise, Tuckshop Ladies, and Ainslie Wills, along with contributions from Jono Steer and guest bassist Brett Langsford, add layers of depth and richness to the musical tapestry.

'Punching Underwater' delves into introspective themes, addressing insecurities, imposter syndrome, and self-doubt while also celebrating the journey of self-discovery and personal growth. From the struggle to avoid falling in love to the highs of building confidence and contentment, the album encapsulates the myriad emotions of a woman's evolution. Ultimately, it leaves listeners on a positive note, embracing the highs and lows of life's journey with resilience and grace.

With compelling harmonies, robust melodies, and a profound exploration of the human experience, 'Punching Underwater' is poised to be a standout debut album for This Way North, solidifying their place in the indie music scene and captivating audiences worldwide. Fans can look forward to a musical journey that is introspective, uplifting, and undeniably authentic.

---

INTERVIEW:

Can you tell our readers about your new Album 'Punching Underwater', and a little bit about who you are?

Hello! We are a band called This Way North, I'm Leisha, I play guitar and sing and there's Cat on drums and vocals. We are based in Yackandandah (yes, it's a real place!), in the high country in North East Victoria. We are a drums and guitar duo who often get mistaken for a full 5-piece band, we love blending indie rock, pop, blues, roots and folk with a little bit of psychedelica thrown in! 

We've just released our debut album 'Punching Underwater'! 

Who did you work with for this single, and what does the name of the album mean?

We worked with Ainslie Wills and Jono Steer as co-producers on the whole album and the lead single 'Punching Underwater'. The name is about how when you try to punch under the water everything is slow moving there is a lot of resistance. There were a lot of challenges for us to get this album and the songs together and out into the world, the song is about how you can be too hard on yourself and make yourself so slow by not believing in what you're capable of. We co-wrote this song with Bobby Alu.

How do you put music together, or do you work with a Producer, if so who?

We write all of our own songs by either writing them separately and bringing them to each other to finish or writing them completely together. We then worked with Ainslie Wills on each song in pre-production. She really brought them out to be the best they could be with her incredible ear and song writing sensibilities. We learnt so much from her and how she crafts her songs. 

Who's on your greater team?

We have our awesome booking agents Abby and Bec from Onya Soapbox, our album team was Ainslie Wills, Jono Steer (Co-producers plus some keys and vocals), Brett Langsford (bass), our publicists Stuart and Jonny. But the rest is all us! We're an independent band and work bloody hard to make sure we hustle and create opportunities for ourselves. Oh and our dog Messy.

What are some of your go-to records to listen to, when you're either chilling or working on new music?

We both love Bahamas, Khruangbin, Tami Neilson, Bonobo but there's too many to list! 

Anything exciting coming up over the next few months?

Yes! We have the next leg of our album tour throughout South Australia, Queensland, Victoria and New South Wales! 

What other artists and or creatives are from your community, and who should our readers get across?

We're super lucky to live in a very creative area! There's amazing artists from all mediums: sculptors (check out Ben Gilberts creations), visual artists (Kirrily Anderson), black smiths (Toadhall forge) and of course musicians!

Check out Sal Kimber, Liv Cartledge and DJ Jane Doe. 

We also have amazing whiskey distilleries (Backwoods Distillery), recycled wool and leather workers (Stonehill View), furniture makers (Indigo Woodworks). It's a really inspiring place to live with lots of amazing people doing cool and inspiring things! 

What do you like to do, outside of writing, recording and playing music?

We both love being out in nature, camping in our van with our dog Messy! Cat is a hatter, so she spends a lot of time in her shop making glorious hats (check ou Feather & Drum Hat Co.). I love surfing when I can get to the coast. 

Do you have any shows coming up?

Catch us here:

Sun April 28th supporting Ash Grunwald at Star Hotel Yackandandah

Sat June 15th Melbourne Album Launch Show w East Bound Buzz, Liv Cartledge and DJ Jane Doe at Stay Gold, Brunswick

Fri June 21st Brisbane Album Launch Show at the Cave Inn with special guests TBA

Sat June 22nd Full Moon Party, Verrierdale Sunshine Coast QLD

Sat August 3rd The Stone Pony, w Parvyn Willunga, SA

Sun August 4th Adelaide Album Launch Show at Trinity Sessions w Parvyn Adelaide SA

Fri August 23rd Wauchope Arts, Wauchope NSW

Sat August 24th Sydney Album Launch Show at The Great Club with Monstress and Juanita Tippins Marrickville NSW

Sun August 25th The Fun Haus, Gosford NSW

 Any last words?

We can't wait to hear what you think of the album, don't forget to check out the film clips for the first two singles 'My Love' featuring Inuit Throat Singer Christine Tootoo, shot up in Arctic Canada and 'Punching Underwater' filmed at the Old Beechworth Gaol in an empty 100 year old pool! 

Astro Elevator are Putting Us Into a Kaleidoscopic Trance With Their Latest Single

Astro Elevator, the daring quartet hailing from the vibrant musical scene of Melbourne, have unleashed a sonic storm upon listeners with their latest single, "Kaleidoscopic Trance," released on January 24, 2024. This electrifying track offers a tantalizing glimpse into their forthcoming second album, "Cosmo Vortexia," promising a musical odyssey that transcends boundaries.

Formed in the midst of 2019, Astro Elevator draws inspiration from a diverse array of musical influences spanning the realms of 60s garage psychedelia to the intricate landscapes of 90s and 00s progressive rock. Following the triumph of their debut LP, "Lysergic Liquid Maze of the Psychotropic Triptonauts," the band experienced a meteoric rise in popularity, evidenced by sold-out hometown shows and their inaugural interstate tour in 2022.

"Kaleidoscopic Trance," a compact two-and-a-half-minute musical journey, stands as a testament to Astro Elevator's evolution. The track builds upon the foundations laid by their debut, incorporating complex song structures and a more progressive approach to songwriting. In this latest release, the band's distinctive fusion of driving energy, spaced-out jams, and dueling guitars takes center stage.

Immersing listeners in a swirling maelstrom, "Kaleidoscopic Trance" catapults them into a sonic journey spiraling ever upward. The band deftly navigates the delicate balance between control and chaos, with a formidable rhythm section propelling burning comet-tail guitars through an ascending progression of escalating intensity. The track reaches its zenith with thumping beats and wailing guitars reminiscent of titanic battles, only to clear the air with a pulsating width, leaving audiences in a state of stupefied awe.

All the tracks are crafted and performed by Astro Elevator, showcasing their collective musical prowess. The single was meticulously recorded and mixed by Rohan Sforcina at Head Gap Studio in Preston and masterfully fine-tuned by Lachlan Carrick. Dr Cheeto Feather Pants contributed additional recordings and played organs, while Inktally lent their artistic touch to the mesmerizing artwork design, and Tony Roberts encapsulated the band's essence through captivating photography.

"Kaleidoscopic Trance" emerged organically during an intense creative session, embodying the unmistakable influence of Mars Volta with its chaotic drums and driving guitars. Clocking in at two minutes of unbridled energy and fury, the track invites listeners to embark on a personal and enthralling auditory journey with Astro Elevator.

Astro Elevator · Kaleidoscopic Trance

Backbeat caught up with Astro Elevator to find out more about their influences, team, and upcoming releases and shows.

Can you tell our readers about your new single 'Kaleidoscopic Trance'

Kaleidoscopic Trance is the first single off our forthcoming album. We wanted to make a short, hard hitting, energy packed psychedelic song. The song weaves in and out of an ascending progression with a bombardment of swirling delay drenched guitar solos in the middle, where the song finally releases the tension and breaks free. While it all seems to be chaotic and frantic, the driving rhythm section keeps everything tight and in control. Hopefully the listener will be engaged to wonder where it's all going. The song packs a lot of punch for clocking in at just over two minutes!

Who did you work with for this single, and what does the name of the track mean?

We recorded and mixed the album at Head Gap Studio in Melbourne with engineer Rohan Sforcina. The name of the track comes from the song's lyrics. The ascending progression of the song, along with the ferocious drum fills kind of made me picture something trippy. Like transportation, freefalling and spinning down a tunnel of mesmerising and reflecting colours, so out of that imagery came Kaleidoscopic Trance.

What are some of your go-to records to listen to, when you're either chilling or working on new music?

Lately I've been listening to a lot of 60's garage/psych playlists. Finding forgotten hidden gems from the birth era of psychedelic music. Some other artists that have been getting a run lately include Tom Petty, Lee Hazlewood, The Flaming Lips, The lemon Twigs, Dr John, Elea Craig, The Allman Brothers, Bob Dylan, The Grateful Dead, The Pretty Things, The 13th Floor Elevators

Can you tell us about the upcoming album, and what can we expect?

The album is titled Cosmo Vortexia. It has a few really progged out songs, some clocking in at over 6 minutes. We're experimenting with textures in sound and dynamics. We like to challenge ourselves to come up with a sound that's unique and interesting to record and play live. It's an album where the listener can really sit back and go with the flow, letting them join in on a journey into the unknown. It's only 6 songs long but there's always a lot going on

Anything exciting coming up over the next few months?

Yes, we have the single launch of Kaleidoscopic Trance on Feb 9 at The Beast. A second single will be out in a couple of months. We also have a small run of shows planned for NSW in May. Then we'll release the album and continue playing and touring as much as possible

What other bands are from your community, and who should our readers get across?

A few bands that we've played with that stand out, Sons of Zoku, Maisie, Scatter Light, Skerzo, The Black Heart Death Cult, Zelkova

What do you like to do, outside of writing, recording and playing music?

We're all pretty chilled out when we're not working on music. Other interests include camping, hiking, watching weird documentaries, movies, reading, NBA, jujitsu, guitar making. Although music consumes a lot of our time, it's all of the band members main passion and hobby

Any last words! 

Stay High!

Unveiling Telladream: A Musical Odyssey by Sash Mish

In the realm of Indie/Alternative/Electronic/Pop, a captivating new artist is set to make waves with an unparalleled sonic journey. Telladream, the brainchild of singer and producer Sash Mish, formerly known as Slumberhaze, is making a resounding entrance into the music scene with the release of two compelling singles, 'The Death of Fear' and 'Family Matters.'

After a six-year hiatus and the transformative experience of becoming a father to two children, Sash Mish redirected his creative energy into the Telladream project. Collaborating with industry legends like Lachlan Mitchell at Parliament Studios in Sydney and London-based producer Dane Burge, Telladream's debut album, featuring ten tracks that showcase Sash's unique musical style, is eagerly anticipated and set for release later this year.

Choosing a path focused solely on recording, Telladream forgoes live performances to concentrate on delivering a rich tapestry of music and visuals. Collaborations with other artists on exciting projects are also part of Telladream's journey, highlighting a commitment to exploring the depths of creativity.

Influenced by a diverse array of artists, ranging from Bowie and Outkast to Dino Merlin and electronic producers, Telladream draws inspiration from the expansive wall of sound reminiscent of bands like War on Drugs and Elbow.

'The Death of Fear' and 'Family Matters,' the debut singles from Telladream, delve into poignant themes that resonate deeply with listeners. 'The Death of Fear' explores the transformative period surrounding the birth of Sash's daughter, offering an intimate glimpse into the emotional journey. On the other hand, 'Family Matters' tackles the pressures of life, love, and the delicate balance required to hold it all together.

To add a visually striking dimension to Telladream's sonic creations, both music videos were crafted by a talented crew of film students from NIDA and directed by Forest Lim. The marriage of visual and auditory elements enhances the immersive experience of Telladream's music.

The singles were not just written by Telladream but meticulously recorded and mixed by Lachlan Mitchell, showcasing a commitment to sonic perfection. Mastered by Steve Smart at Studio 301, these tracks promise to deliver an audio experience that transcends the ordinary.

Reflecting on 'The Death of Fear,' Telladream shares, "I wrote the instrumental for this song in 2013 in Florence and could not get any concept or melody for the vocals. Then, after my daughter was born, I spent a few days on this song, and everything came together in the span of 2-3 hours. Lyrically, it talks about the experiences before she was born and after."

Regarding 'Family Matters,' Telladream remarks, "Written as an instrumental to make my daughter dance, it ended up being a song about family life – its pressures, love, and holding it all together."

As Telladream emerges onto the music scene, it brings not just a collection of songs but a profound narrative of personal experiences, creative evolution, and a commitment to pushing the boundaries of musical expression. With an album on the horizon and a unique vision, Sash Mish, under the moniker Telladream, invites audiences to join him on this musical odyssey.

---

Backbeat spoke with Sash aka Telladream about the recent single and video releases, and dived a little deeper into how everything came together, and his artistry

Hey Sash, How are you today? Great, man! 

Can you tell us about the name behind Telladream? I was hoping a name would come to me, as I've just been recording the songs and planning a release but couldn't decide on a name, and then it just came during a nap one afternoon in a dream. The dream word was Telethon, then I liked that, but it was in the dream so I used the first half and added dream to it = Telladream 

Can you tell our readers about your new singles 'Family Matters' and 'Death of Fear'?

The instrumental of this was written 10 years ago and I loved it but could never come up with a structure or melody so I just left it, then around the time of the birth of my daughter, it all just landed in my lap. The song speaks about fear and finding courage in the end. The title was initially The Fear of Death, but at the time of recording I flipped it as I didn't have that anymore. Family Matters was written a year after and was initially a guitar jingle I'd play for my daughter, then evolved into a song about family, the challenges and the spirit which keeps us going during all the ups and downs. It's optimistic again. 

What was your inspiration behind writing these songs, and what influences your sound?

Starting with an idea and then waking up hours later with a song is a thrill and I love the process of it, singing, writing lyrics and melodies, it's all fun and I'm addicted to fun.   

The music videos for 'Family Matters' and 'The Fear of Death' are stunning, how was it working with NIDA students and Forest Lim on these videos?

Forest is a bright mind and he heard the demos in 2018 and just wrote a script for The Death of Fear, then made a storyboard, then scoped locations. He had everything ready for me and proposed the shoot, making it so easy! It was shot over several days with a cast and team of young, enthusiastic legends that will have a future in the sport, I'm sure. 

Do you bring an idea to the table for the videos, or did Forest Lim bring you the idea for the videos?

Yeah we definitely worked together on the concepts and negotiated on details and themes etc. It was good having someone from that world guiding me, otherwise I would need a $1 million budget to film what's in my head. 

I hear you're working towards releasing an album, what can you tell us about the album?

It's taken me 7 years. Since the break up of my band (Slumberhaze), I took years off from music, just writing in the background, never playing live and just stockpiling music for a rainy day. Then I realized it's been raining the entire time and I've just been procrastinating, so I will release it this year. Some 10 odd tracks, 5 music videos. There are songs in there written in 2016 and some written last month. As they say, it's the debut album that takes your entire life to release.

Your music has a playful indie sound, how would you best describe it to someone that has never listened to your music before?

Man, I can never explain it! It's just music that tries to be catchy and emotive and nostalgic, not sure what genre it is. Maybe you're right, Indie. I call it Nostalgic Pop, but not sure if that means anything. 

Where can we find out more about you?

Just online, all the streaming platforms and YouTube, plus have an IG @telladreamworld and Facebook with the same handle. Probably have to start a TikTok and cringe dance to a loop of my music to get it out there soon. 

CALLING ALL YOUNG BANDS! ARE YOU READY TO STEP UP TO ONE OF THE BIGGEST STAGES IN MELBOURNE?

Following a huge first year, Garage Band is BACK and ready to welcome a fresh batch of budding musos to the big stage. ALWAYS LIVE and internationally acclaimed artist Joseph O’Farrell (JOF) will be inviting 25 young bands from across the state to perform LIVE at Fed Square this October, giving them the opportunity to wow crowds in the heart of Melbourne.

With 2022 alumni going on to play with the likes of Mia Wray and Tex Perkins, release their own music, and garner media interest from right across the country, Garage Band has fast solidified itself as a pivotal jumping-off point for the next generation of Victorian musical talent.

REGIONAL WORKSHOP RSVPS NOW OPEN

ALWAYS LIVE and JOF will be heading to Ulumbarra Theatre in Bendigo on Sat 22 July 11am-2pm to talk about all things Garage Band! There'll be free food, live music, and industry chat free to anyone wanting to learn more about the process of applying and playing. Simply fill out the form in the link below to RSVP and we’ll be in touch with more details.

ALWAYS LIVE supports our thriving communities including First Nations, female and non-binary, LGBTQIA+, culturally and linguistically diverse, Deaf and Disabled artists, industry workers and audiences. It will also champion the independent and emerging sectors.

This event is part of ALWAYS LIVE, a state-wide celebration of contemporary live music supported by the Victorian Government through Visit Victoria.

INTERVIEW: YAZMINDI

Yazmindi teases the release of forthcoming debut album with title track ‘Dream On’. This single is a distillation of the core messages that shine in the album - a reflection of the journey from dreaming teen to ambitious young woman.

This astute theme of empowerment, especially towards young women runs strong and true to Yazmindi’s core values. This self-actualised version of Yazmindi is a refreshing and bold statement of the importance of self-love. Yazmindi shared updates on her tour, the highs and lows of Splendour 2022 and the future of her music.

How are you doing?

Great! Chillin today - I want to have one day off so, I'm just gonna relax with my mum.

So have you had any of your shows yet?

I had my first show last Saturday night supporting, Greta Stanley who released her album. She ended her tour on Saturday night, and I started my tour on Saturday night. It was really fun.

And you guys work together on some of your songs as well, didn't you?

Um, no, we didn't. But the guys and her band and her producer we share like the same producer. Her drummer was my drummer in the studio. There's mutual. We've done a show together as well, a few years ago.

Small world.

Yeah, it is!

And so how long is the rest of the tour? Where else are you heading?

It's going to go until December. I want to do a whole thing on the road, I'll be back home, down and Byron Bay, but do little weekends away. Whole East Coast tour. I've got to finalise some shows. There's still more!

I did see that you're based in Byron -I have to ask were you at splendour?

Yeah, unfortunately.

You survived.

Yeah, I got pretty sick afterwards. I'm still recovering with this weird cough, which is slowly going away. But apart from that, I'm pretty good. I survived. I live there. I've had camping tickets and normal tickets for three years. I thought we'll just camp it's really fun when you camp….

I should have probably stayed home.

You came up on Thursday night?

Yeah, it took me six hours when its normally 20 minutes.

You're kidding.

It was a lot. We were exhausted all the time, because the conditions are just so exhausting.

Who was your favourites of the weekend?

I only really saw everyone who played on the main stage because that was just the easiest place to go to. I actually didn't really know a lot of the songs to be honest. I actually really enjoyed that set, the Brisbane band …..not glass animals.

The Jungle Giants?

Yeah! I've seen them in Brisbane and they were good, but, this was extra great. They were on fire. You know the sun came out and it was just a really happy vibe. I think that just made it more of a positive festival experience. I actually really enjoyed that.

10 out of 10, I think they were probably one of the best sets of the weekend.

I agree. I agree that we're just making the most of that massive stage as well. Handing out Polaroid cameras to take memories and stuff. It was just a really nice, refreshing.

Wholesome, wholesome show. It was really fun.

What was your most negative splendour experience?

You know what? It was probably the first night , because I was sleeping in my van and I opened the door and my eye mask fell out right into the mud. I couldn't have a nice clean eye mask. We were camping around the road and a big spotlight would come straight into my van. I think I definitely slipped on that big hill. My nice crochet top got muddy, gazebo broke, and our tent got flooded.

If you've got through that, anything that comes to you on tour is going be easy.

Yeah, it's just to prep! That's all it was.

But tell me a bit more about these new songs. ‘Dream on’ is the new single.

How's it been going?

It's been going great. Such positive feedback. Everyone's loving it. I dropped the film clip for it as well, which was really exciting. It's been such a treat to record this song because it's very sentimental to me because it's the title track to my album. The whole experience has been great. It's getting heaps of radio play. Awesome interviews. It feels good, releasing a female empowerment song and something that's super positive. I get messages, people saying I heard the song on the radio, and I just really love it and made me feel better. A nice reminder of why I'm an artist.

I love that. And how has this single compared to the previous things that you've recorded and the experience?

I think this this song in particular, it's more of my pop side that I got to explore which was really fun. Experimenting in the studios, I felt really confident with this. After having experience with the other songs. I felt like now I know what I'm doing. It's kind of like practising what I'm preaching in the song as well which is really cool. Everything feels right.

I know you did a lot of crowdfunding and recently hit your goal.

How did that come about?

A few artists that I've followed for a while have done crowdfunding. I thought that's really clever. I was looking at a bunch of grants, and they were all closed grants, that’s a whole other ballgame. I needed the funds instantly, because this whole project is costing me about $30,000. I've already covered half of it, that's all my savings gone. I thought, I need to pay up another $13,000 to cover my expenses. I thought, why not crowdfunding? I'm gonna give it a shot, and see what comes out of it. I literally couldn't believe that we might go over target. I was aiming for 13 grand, and then I got 14 and a half. That was a really crazy five weeks. But it was successful. It's a really, really empowering project, to have so many people reach out and go, I want to help you, I believe in the music!

That's so good. And is there any artists that you're keen to work with in the future that you've had your eye on?

I'd love to have some with Courtney Barnett actually, I think we would be really cool together. Amy Taylor from Amyl and the Sniffers - that would be awesome. There's a bunch of amazing women I look up to in the music industry that I'd love to collaborate with one day. Yeah, that'd be ideal.

I guess that leads to, is this a genre you think you'll always stick in like or do you want to try anything different? Is a country album ever going to be on the cards?

Absolutely. I love Americana and country that's where I kind of started. I'd love to do a country, and an r&b EP, then maybe a pop one. With my debut album, I've got 11 tracks and they're all quite different because I didn't really have one genre. I wanted to experiment with all the different tracks and different genres.

During your writing and recording process, what was your go to snack?

Oh, I had to be very healthy in the studio. I totally cut out, dairy and citrus stuff because that can get trapped in the vocal cords. Go to snack….. I think it was grapes. Healthy fruit or grapes. Black coffee. That was good for energy. Clean snacks, hummus dip with some carrot sticks or something.

And who is on your on repeat playlist at the moment?

I listened to the Beyonce album, that's pretty fun.

Whenever I listen to artists usually I listened to literally the whole album. I'm still old school. Dua Lipa. I just love her. She's always getting me into a good vibe, you know? Very upbeat and fun.

Is there anything that you would want your current fans or future fans to know about you?

I've got a big vision for my music and I love to make the world a better place with my music. It's fun to be my fan, you know? Everything I'm doing with good intentions.

FOLLOW YAZMINDI

Official Website | triple j Unearthed | Facebook | Instagram | Youtube | Twitter

INTERVIEW: MATT GILBERT

Matthew Gilbert is emerging as one of Australia’s premiere indie-folk performers & songwriters. With an abundance of relatable and moving stories up his sleeve, Gilbert capivates listeners with honest melodies, lush harmonies and mysterious lyrics - hitting hard but always pulling back for a warm embrace when complete.

Personal stories, paired with enthralling storytelling, has always inspired Matthew Gilbert’s songwriting. New single ‘Out Of The Contempt’, is no different; channeling honesty, depression & heartbreak to unveil the inner-workings of his psyche, when moving past a deeply hurtful period in his life. Seeking closure & healing, Gilbert is invigoratingly honest throughout the track, reflecting on his actions and his will to fight against adversity. The first cut from his sophomore record ‘Getting Over All Of It’, ‘Out Of The Contempt’ works to introduce worldly cinematic soundscapes that is present through the album, drawing inspiration from Gang of Youth, Boy & Bear and Bon Iver throughout.

Tori and Matt talked about the new track, his sold out Wesley Anne show and the pros of kickstarter campaigns.

So, Tell me a little about this. The song.

‘Out of the contempt’ is the lead single of my album ‘Getting over all of it’ which is a 10 track. It's a mixture of lots of different things. I'll tend to be a singer songwriter with some, ambient, folk flavours within there. Lots of orchestral elements.

Have you always been this genre?

Yes. And no, I think I've developed more into it. I was very heavily influenced, and I love Sufjan Stevens. I've always loved his orchestral and Sigur Ros and anything that's ambient orchestral reverb, synth pad, melancholy type of music. I've always loved it. But I've grown up on, pop rock. Things like The Fray andReliant K - they're kind of like a bit punky. I've kind of got lots of different flavours - but I love The Fray. I wanted to be The Fray. This is my life. I got into piano and a lot of my stuff used to be more piano driven. Piano rock type of style with orchestral stuff. I think this album has morphed to be very acoustic guitar driven, rather than piano driven.

When you say singer songwriter is that you starting off usually with a piano or this one was more starting off with an acoustic guitar?

That's right. Yeah. So the other songs were definitely started off with piano like, other album that I did a while ago started off with. This has been much more writing with acoustic guitar. I had some arranging help from different strings people, because I didn't know what the hell I was doing. A lot of it was my inspiration or different ideas that I was - “hey, try this”. Singing parts for them, then they would play it. A lot of it was me and then getting loads of other people to help me record it.

You had orchestral experience recording live? What was that like?

I don't know, overwhelming. I mean, some of it, this is the thing, some of it was live, and then some of it wasn't. So the stuff that I did do live was just amazing. And it's always good to work live. Because when you do, there's the speed at which you can move through things. It flows seamlessly. When it's remote, it's so hard. There's so much back and forth. And it's very disjointed.

Did you find that different in comparison to recording your last songs?

I mean, that was all done not in isolation. I remember….both of them took a long time. And both of them took longer than I thought for different reasons, the first one just took a long time because I was young. I kept adding songs. I had no idea what I was doing. This one obviously was drawn out because of not being able to have access to people. But in terms of the differences, I felt like I had a lot more of an idea of what I wanted. This time I had a lot more of a focus and a drive. Not just with the arranging, but mixing and sonically what I was looking for, I was a bit more refined. I could communicate a lot better with my mix engineer and I could communicate a lot better with my artists and instrumentalists and vocalists. I could tell them this is what I want.

I think I believed in myself a bit more. I had a bit more backbone to be like, “No, that's not what I want. Can you try that again?”

You crowd fund for this recording as well….did you do that for your last album?

Do you mind me asking how much you ended up raising?

We ended up raising $4,000. Obviously, Kickstarter takes a percentage of that. I can't actually remember the percentage. I think after that there was three and a half. Hardly any of that actually went to the producing the album. I put a lot of my own money into the producing the album. A lot went into the promotion of the album. Getting it out there, getting some merchandise, generating a buzz around the album. Coming out of COVID, I had so little traction with people that I really needed to make quite an impact. Hence, the Kickstarter, that was really good, really successful. I was so overwhelmed with the support that people were just so generous.

I think it's something that more artists are starting to lean into, we continue to hear how horrific it is to work with a label, and that they take 90% of everything.

Is this something that you'd recommend to other bands to explore?

Oh, absolutely. Even if you're not in it for the money, its brilliant marketing. It helps you to find and specify who your audience is, who are the fans who are going to spend $20, $50, $100 on you is pretty golden information. It's encouraging. It's very, very helpful.

I guess that brings us full circle. You had a show with a live orchestra.

Two weeks ago? A week ago? I can't even remember it was life changing for me to be honest. I had no idea how it was gonna go. I had a good feeling. It was this 14 piece band. The whole time I was trying to figure out how many tickets were being sold. I had to keep going through the venue organiser, it was just like, oh, no, I'm not selling as many tickets as I was hoping for….. then we showed up on the day and sold out.

So that was a pretty surreal moment. But it was just insane. The atmosphere was wild. It was electric and unreal, it may end up being the most memorable show that I will ever play, just because of how beautifully unexpected it was.

It reminds me of Harry Potter when they get Melbourne Symphony Orchestra. That spin on your music that gives so much more depth.

To be honest, that's what it felt like, if I had my way. I would play with an orchestra every time that I play it because there's the emotion that it adds is unreal. You can't recreate it. It breathes a lot like a dimension of ambience. It changes it from a musical performance to being an art installation.

Are you hoping to do the tour with a bit of a string set or a full orchestra?

The plan is two of the two people, which is one of the violins and a sax player who are going to follow me around. The hope is that we can do a bit of a round trip around Melbourne.

Is there any dream venues on the list?

I'd love to play the Northcote social club. A lot of my dreams are probably not really huge dreams for people but to play at some of these places where I've seen some pretty excellent people play would just be pretty rad. I mean, one day, I'd love to play at the corner hotel, but, I want to make sure I can bring 300 people to that to that gig. I'd hate to show up with 30. You have to have that belief in yourself and a little bit of gumption.

Is there anything that you'd want your fans to know about?

I put a lot of lot of life into it. All the stories are real stories, not made up once. I constantly want to grow with my music. I get uncomfortable when I start writing the same thing over and over and over again. I love kind of adapting and changing with my likes and dislikes at the time. My music is pretty alive. It changes and it's always gonna be bloody interesting. I try really hard to make it always interesting and different, new and fresh.

What is your on repeat playlist?

I had a feeling you're gonna ask that question before we started! I've got a big love for this fusion jazz band. I really love this other named Mero. She was in Eurovision and she did a song. It's gorgeous. I love Mr. Timothy Wolfe. I'm always listening to Timothy Wolfe.

And finally, What is your go to snack when you're writing or producing?

Look, my wife is pregnant at the moment. One that we go to quite a lot at the moment is sweet potato chips. I'll go anything's sweet potato chip.

FOLLOW MATT GILBERT

Facebook | Instagram | Triple J Unearthed | Website

INTERVIEW: KWASI

In ‘Self Sabotage’, Kwasi delivers confessional yet complex lyricism that is elegantly intertwined with Congrats’ (Ben Stewart of Slowly Slowly) singalong-worthy hooks that are aching in their honesty. ‘Self Sabotage’ serves as the second instalment of the duo’s collaboration, following on from the release of ‘Overthink’ in March 2021 with both songs produced by platinum award winning Melbourne based producer Hamley (Stan Walker, Pania, Allday).

Tori and Kwasi caught up to chat about the new track, the pros and cons of being an artist and a producer and the go-to studio snack.

Self sabotage. Very cool track. It came out two weeks ago and seems to be performing pretty well.  How does it feel now that you've shared it with the world?

Really good. It was the first song that us three wrote together. Me, Ben (Congrats’), and Hamley. I always really liked it. I know, there's something about it. Something about that energy in the first writing session. For a bit, I was worried it wasn't ever going to come out, so I'm just happy that it's out. It's getting some attention and getting the momentum it deserves. Yeah, feels good. Feels good. 

You've released music, in the post COVID world.  What do you think the differences are between, pre, during and post COVID in terms of people receiving your music?

I don't know if I can speak too much on the audience side of it. Internally, I wasn't that excited about releasing music through COVID. I was on a few features, and I did a bit of production work but the live aspect of it, for me, is where I get a lot of my energy from and just knowing that there's potential for that down the line. Through COVID I didn't have that same energy. I was creating and that sort of thing, but definitely didn't have that same drive I do when we aren't in lockdown. 

You grew up in the pop punk/garage band era of Nirvana and blink? Are they still your influences ?

Definitely go back to it, for sure. But I do like a lot of the newer stuff that's been influenced by that stuff as well, which is really cool. Nirvana and stuff will always have a place because that's the stuff my mom used to listen to when I was young.  Those droney baselines and that sort of feel, it's connected to my music DNA. 

Potentially taking inspiration  from Travis Barker's new stuff?  He seems to feature on everything now.

Yeah, he's everywhere. There's some really good stuff there. Like the stuff he does Kenny Hoopla that I really like. 

Yeah, we're big fans in his house. 

Yeah, he's incredible. Some of it’s more processed. Some of it's a bit more poppy, I like some of it, but some of it doesn't really resonate. It just depends. He's iconic. I use this program called splice to do a lot of production and stuff. They upload sound packs, and he has all these drum sounds on there, and I've chopped up some of these drum sounds before. He’s so influential. 

I want to ask you about that as well. So you run your own studio? 

Yes, yes. 

And you do all your own production?

I jump in between. I still work with producers. So sometimes I might sit back and do more of an executive production role, which I did for a lot of the stuff I did with Ben. I did that and Hamley did most of the production stuff. I might jump on every now and then, program a beat or something. But sometimes I chill back and try to sort of help on both sides to keep the momentum going. Sometimes a bit more hands on with the production sometimes I'm not, but I did mix and master self sabotage as well. 

Do you think that there's an advantage in being on that production yourself? And having more understanding of the production and mixing process?

100%, at first it was tricky, trying to do everything. It's always great to have more of a team around you. It's really good being able to speak that language and be the middle person to make sure things are cohesive. Sometimes if you're too into making the beat, you won't notice that like the energy in the room is off. If you're too heavy in the lyric, same thing. The beat might not be hitting as hard as it could be. At first it was kind of tricky, trying to spin all those plates but as time goes on, I really appreciate  being able to dip my toe in every area and bring everything together. 

You've worked with ALLDAY as well, one of the bigger, I guess, hip hop artists. I feel like can't pigeon anyone into one genre anymore. What was it like working with him?

Yeah, really cool. It's funny, because like, I think, now he's almost probably seen as traditionally hip hop, but back then he was sort of on the outskirts of it. That's why I was when I linked up with him. I always enjoy the artists that are off to the side a bit, trying to push for something a bit different. 

You give me that Post Malone vibe of having a little bit of every genre. You've got the strong vocals there that are really smooth. But you've took a bit of this and a bit of that and blend it into your own mix. 

Yeah thats my upbringing because having such a diverse background. My dad's from Africa, Ghana, and my mom's Australian, and I would always hear such a mixed bag of music. I think it was only natural to be drawn towards a lot of different things and  trying to mash them together. 

Is this the first single off an upcoming album? 

We have we have heaps of music together. I'm still not 100% sure where to go with it. I thought I was gonna do a Kwasi album. But I'm still I'm not sure. I'm so hesitant. I want to keep building momentum before I do an album or something. But we have music there. So I think I think I just want to start putting out more music and stuff. 

And what about getting out on the road? Have you got much in terms of tours planned?

Nothing. No, I've got a band. I put a band together last year, because I did a support set for Congrats’.  We played together last month as well. All the stuffs there to put on a killer show but I've got a few other things on my mind that have taken up a bit of my energy. If opportunities present themselves, I'll probably try and like put something together. Right now there's no sort of plans strictly in place to do a tour or anything. 

Is there much more that you'd want any new fans to know? What do you need to know this about this guy?

Expect the unexpected. 

In terms of my music,  I guess we delved into the pop punk trappy fusion, I've got other stuff in the bag as well. I never liked to constrict too much to one area. I've always struggled to do that which is tricky, because then people find it hard to understand you, just sit back and enjoy the ride.
What was the last thing you're listening to?

Last track I put on was actually a local artists, Akosia. She just released a song, check it out, R&B flavours and I'll give you another one….this dude from LA's Diveliner - his songs Gaslight and Teacher.

Last question for you though. What is your go to snack in the studio?

Go to snack……does a cup of tea count? Early Grey, little bit of honey and  some almond or soy milk.

FOLLOW KWASI

Official Website | Triple J Unearthed | Instagram | Youtube

INTERVIEW: ZACHARY LEO

23-year old Zachary Leo (Melbourne/Naarm) unites deliciously grooving disco funk vibes with modern pop structures in his latest single ‘Can’t Get Enough’. The Michael Parisi mentoree has honed his signature sound, bringing all the good vibes to wash away the tensions of life. Tori met with Zachary Leo to talk about the new single and being a musician in the post-covid world.

How's your weekend going?

Yeah, it's been good! Had a show on Friday night,  which was really good. And then had a relaxing couple of days. 

Where was your show on Friday night? How did it go?

Cherry Bar! The new Cherry Bar on Little Collins Street. It was great. We had a great, great night. Great turnout. Played well. That was the launch for the new song. There was a tour planned…and then there wasn't, it has been all over the shop. So I cut everything back and just did the show, but will probably announce some more stuff soon. COVID made it super tricky, which is a bummer. But the launch was great. So that's all we can ask!

Small wins in the music industry at the moment! You're talking about the band there, but you are Zach…. tell me where this whole thing started?

I think it was 2019, that was the first single and the first show. Before that I had been in bands and had done my own music. But I got to a point where I wanted to write a certain type of music and it didn't fit the band, it didn't fit my solo thing that I was doing, which was very acoustic and the band was heavy rock. So I made a decision one day to go on my own, but have a big live show with a band. It is like the band Harry Styles would have or any big acts would have. But I’m kind of finding my sound and finding my direction. I think I'm on a really good path at the moment, settling in and creating what I think is really cool. 

I guess it's not really pop, but this new version of pop coming out at the moment, you talked about Harry Styles and I think of Billie Eilish. They're the new pop, which isn't such a traditional cotton candy kind of sound. Is that what you're aiming to go for?

I think definitely a type of pop I'm looking to go for, but a lot of my influences come from funk artists from the 70s and late 60s like George Clinton and Parliament Funkadelic, when they spearheaded the rap scene for a while as well. A lot of that music was ingrained into the mainstream early on. It's kind of funk. But naturally, there's this pop structure there, I guess in the melodies. It's like you said, Harry Styles, Billie Eilish - it's not your traditional pop. They take influence from there. I've got my different inspirations in the soul scene, and the rock scene that I put in there, make it a little bit less poppy, but it's definitely still pop.

And so are you primarily a vocalist? Or are you an instrumentalist as well? 

I started with vocals. But I would say guitar would be my strong point. I've been practicing the most since I was quite young. I always sang but I wasn't always very good for a long time.When I was in my early teens, I got some lessons and kept giving it a go. Now I think it's a vessel to deliver the music, rather than my strength, if that makes any sense? But the guitar, that and songwriting is one of my strengths, where I feel most comfortable.

And with this new track, was this one that you created in COVID? 

Like everyone in Melbourne I was in lockdown. It was just before the big one last year, I had a meeting with Alex, my producer to decide on which songs we will record in the studio. The night before I had a spark of inspiration and quickly wrote this song, and came to him with it the next day. He was like, yeah, let's do it. Then we sat on it for a while. We've played a few shows with the song in it, we got into pre production and then lockdown. We had to record it after lockdown ended. I had time in lockdown to make sure that we had time to go through pre production and stuff then we came out of lockdown to record. It was a day before and Alex sprung on me that I needed to rewrite half the song and he's like, “You’ve got to cut all this out”. We had all lockdown for him to tell me, and he sprung it on me at the last minute! But what came out was the best result. 

This is Alex from Delta Riggs?

Yeah, we started working together. It would have been a lot sooner but with COVID. Then we did, so good! Hopefully some more songs in the future as well.

He's definitely becoming one of the bigger producers and has an awesome sound. 

He was incredible to work with, just seamless and easy. I've always been stressed in the studio, it felt like we weren't working hard enough because it was so easy. We got the take like “Yeah, cool. That's it. That's the take”.  It was such a great and easy and stress free and creative process with Alex, he made it very, very easy, which was awesome. 

Are there any other producers that you've got your eye on that you'd like to work with in future?

I think at the moment, honestly, I think what me and Alex created was really special. He helped me find ways to bring the songs to life. We connected musically in the studio. I haven't connected with someone like that before. We both knew what we needed in the songs. I think right now, I'd be keen to jump back in with Alex, I haven't even thought about someone else!  Obviously, Mark Ronson for instance, producers that you dream of working with, Pharrell and all of them. Honestly, Alex - I'd be keen to get back in with him ASAP,  we're working towards that, but everyone's busy. 

Are there any artists that you are really keen to work with, or you've kind of started chatting with?

Not really at the moment, I'm always open to collaborating with other artists and working with other musicians, but I think I'm someone who writes very much on their own. I sit in my room and work on something then come out and show people and then go back and work on it myself. So there's no real talks with anyone at the moment. I mean, there's a few really cool Aussie artists that I would love to pick their brain and work with. Like Kesmar from Sydney, he's got this really cool synth sound that I just adore. I think it's awesome. I love his vibe as well. I'd love to work with him. We can make something really funky. 

How are you feeling about the response to the single? 

It's been awesome.  Messages and love from heaps of different people. It's been really cool. Even the last week or so it's taken off, streams have been going off and giving me so much love. I'm feeling really, really positive about it. I think positive words and reassurance is enough for me to feel really good about it. I love this song and I'm really proud of it. Everyone's been so lovely. 

Is there anything else that you'd want your new fans or people who are following to know about you or about your music?

I'm a pretty open book. I would just say thank you for the support so far. There is music coming and the show is coming. I’m keen to share it with everyone. 

Before we go, what was the last thing you were listening to?

You know, it was Harry Styles. I think it was Daydreaming off the new record. I've been playing non-stop the last couple of days. 

FOLLOW ZACHARY LEO

FACEBOOK | INSTAGRAM | SPOTIFY | YOUTUBE

INTERVIEW: PRETTY BLEAK

Tori caught up with Pretty Bleak lead singer, Sam to discuss how the band came to be, musical inspiration and whats coming next!

Tell me a little bit about yourself and the band? 

The band is a long story, Kyle, Sanji and I have been playing music together since 2014. So quite a while. We've had a heap of different names and different styles but we settled on Pretty Bleak and this musical and visual themes since the end of 2019. Our drummer, Cherie joined at the end of last year so now we're fully set. It's really good.

What were some of the names you tried out before?

The first name we ever heard was Infamous Minorities, which was edgy, teenager, stupid, sort of thing. Then we were Half the Sky, then The Avenue, now we're Pretty Bleak. 

Tell me a bit more how you met each other and how you got together as a band?

Me and the guitarist Kyle, we first met in 2011. We met because my dad taught him guitar, then we met Sanji at High School. We met Cherie at High School as well. So we've been friends with Cherie for quite a while, but she only just joined the band last year.

Has the genre of the band been the same the whole way through?

When we first started, we were doing heavier music,  sort of post hardcore, sort of metal when we were really just starting out. Over time, we have had this natural progression towards a pop style. We still have a lot of heavier influences. As we've got better at our instruments, then better at songwriting, it's been a really natural progression from being teenagers playing as loud as they possibly can, to something a bit more sophisticated. It's been very natural.

We don't necessarily conform to what we think people want to hear. We're very focused on what we find interesting, musically. It's a healthy mixture of what do we think is really cool? And what will be appealing to people as well? You can definitely get too caught up in what you think is cool, and then make something that's really abrasive to people. So it's good to have a balance.

Where do you think the new single falls in that realm?

The new songs are a pretty good example because a lot of it is really unconventional and not something that you hear all the time. The most important thing to me is having a catchy vocal, if the vocals catchy, you can pretty much put anything around it and it will work. I think with this new song, we've done a lot of things; having the extended guitar solo in the middle, unconventional drumbeat and that sort of thing. But having a really catchy chorus, or catchy vocal hook on top of that, ties it all together.
I think we've done a good job of achieving that.

As a writer, do you start off with your vocals first? Or do you write the music and then shape your lyrics to it?

It's usually a combination, it depends on the song. I'll start a song idea, based on a title and then, what the song is supposed to sound like all sorts of stems phonetically from what those words mean. With this current song, I think I had the main title, the vocal melody, I think that's the first thing that I had, everything sort of stems from there. But sometimes, sometimes it will just be like, a guitar riff or something, or like a chord on a keyboard or something that will start a song. It's just like having a really good base and something that sounds really interesting from the from the start, to make it just out from there.

You guys had a show at the workers club recently? How did it all go?

It was really good. It was definitely my favourite headline show. We had a heap of people there, especially for a Thursday night, too. So that was good. We put a really good set together. We played a few songs we haven't done before, which was fine. I think overall, it was really positive.

We've got a really good, cool group of people who are into our band, who come to our shows and know the words to songs, even though we're still relatively small. We're really lucky to have a really cool group like that who will come. The advantage of that is you can kind of do anything. It's good that I feel really lucky that we're starting to build this really good, foundational fan base that are really into our music. It's good to be able to play some stuff we haven't done before, and be validated for it, which we were so, I feel really good about it. 

Any producers that you've got an eye on that you'd like to work with?

The guy we're working with at the moment, John, from Cry Club. He's really, really good. We've done a heap of songs with him. And I'm really happy with the way we work together. I would literally love to stick with him for a while. In terms of, if I had to give a dream producer to work with, it would probably be Brian Eno. He's an old school guy, legendary and he does a lot of ambient stuff. He did a lot of stuff with Talking Heads. He would be awesome to work with.

What's currently in your on repeat playlist. What are you listening to?

You know what song I really love. It's by SZA, ‘Good Days’. Such a good song. I love that song. It's my go to song for vocal warmups. I'll just put that on. I cannot sing anywhere near as well as she can. But I give it a good shot. I love that song.

What else would you want new fans to know about you?

I think the main thing about our band is that we're super open minded and super malleable. I feel for people who are into music, basically no matter what you're into, you can find something about our music that connects with you. I think we're really open minded artistically. As a consequence of that, I think we attract open minded listeners as well. 

Do you guys have any tours coming up in future?

We don't have anything planned. But we've got a heap of songs recorded that we're just going to keep pumping out this year. We're definitely going to try and get up the east coast at least once this year. 

Check our their new song, ‘like you know better’ below!

FOLLOW PRETTY BLEAK

Facebook | Instagram | Spotify | Youtube

INTERVIEW: SPKEZY

Spkezy are true musicians who push the bounds of their creativity. Known for their poised approach to genre-bending music they have produced an extremely well balanced fusion of dark pop and alt-rock in ‘Hell House’.

Tori met up with Luke and Joel to talk about the new single ‘Hell house’, history of the band and what the future holds.

So, tell me about yourselves - how long have you been a band?

Luke: As Spkezy, I think it's about three years.

Joel: Two and a half years.

Luke: But before that, Joel and myself played in bands together since college, so we're pretty old now.

Has it always been this style or genre for your band?

Luke: No…. well, for this band yes. But the other bands, it was definitely metal core/post hardcore. I think that the older that we got, I didn't want to be screaming about stuff that I wasn't mad about anymore.

Joel: Funny thing is the lyrical content now is probably just as angsty, if not more.

I guess that leads to who are your biggest inspirations?

Joel: I'm listening to a lot of Rain City Drive, they were formerly called Slaves. They're excellent. Another band called Set It Off, they’re a genre bending band, so I really enjoyed them too.

Luke: I listen to lots of rap, but band wise, Issues are really cool. They are able to blend pop and r&b vocals into genti type metal stuff.

Tell me more about this new single?!

Joel: It originally was slated to come out as part of an album but we analysed the market a little bit to see what's working and a lot of bands are focusing on singles. So we put a heap of time and effort into the song itself, the hooks and the whole writing process. It's kind of heavy, a bit more foot to the floor, doesn't really let up. We want the single to be in your face most of the way through. We went through two or three different chorus’ before we settled on the one we did. I was really happy as soon as I heard this chorus and I knew the song was going to be potentially a single. Once that was down, everything else sort of flowed around it.

And you record, mix and master everything yourself?

Joel: I studied in college. But the landscape of recording music has changed so significantly since I actually studied it. I learnt the fundamentals in school, but pretty much everything I've learned to this point, especially over the last two years is online courses, that sort of thing.

Is this your favourite song that you've released so far?

Joel: Every song has a different memory of recording, what we're feeling at the time. So I think it's really hard to answer. It's a song that doesn't really let up and I like it for that.

Have you had a chance to play this one live?

Joel: Very much looking forward to it.

Luke: This band kind of started at the wrong time when it comes to COVID and all that stuff. We weren't able to play any shows. We've only played… I think it's three shows as Spkezy. So we just, I guess we really want to play shows!

Do you think that being based in Tassie has an impact on I guess your music and how it can be absorbed by the world?

Luke: 100% Yeah

Joel: It's a matter of getting us in front of people. That's always been the struggle. Even with the old band, we toured a lot, but theres the cost and then there's so many other things involved with being isolated by water. We're definitely looking to play shows, definitely wanting to get over to Melbourne, Adelaide. Adelaide was our second home. So, I cannot wait to get back over there again. This is really the point where we're starting to go, Okay, we really want to take this seriously.

Check our their video below!

FOLLOW SPKEZY

FACEBOOK | INSTAGRAM | SPOTIFY | YOUTUBE

INTERVIEW: HUYEN ON HER SINGLE ‘CAN’T TRUST’ AND UPCOMING EP ‘SAD BOY’

Melbourne is always thirsty for a new artist and Huyen is a strong contender to capture attention. The Melbourne based musician and producer is primed to release her EP ‘Sad Boy’ and has given us a taste with her single ‘Can’t Trust’. Tori caught up with Huyen to find out more…

So tell me about you, is this your first big music thing or what's led up until now?

I have a degree in Audio Engineering. I went to Collarts and did all that for a couple years, which was pretty fun. Growing up, I played piano, I was a part of Young Australian Broadway Chorus. I've always been writing music for producers and other artists and helping them record their stuff. It's taken me a really long time to get in the space where I wanted to release my own music. I was really nervous about everything… I wear my heart on my sleeve. I feel like when I put something out there, I give too much vulnerability out to everyone. I had the roughest year last year…. I decided this year to not care and just be like, alright, just do it!

Throughout our conversation, it was clear Huyen isn’t letting anything get in her way, she is dedicated to her art

I'll do my nine to five, and then straightaway, I'll be in the studio, or stuff at home. I don't get to bed till 2:00am most nights. Then you have to get up and do it all again, to make sure things are done. But it's a lot of fun. I really enjoyed it, the whole process of writing everything and putting everything together.

With your audio experience, did you record, produce, mix and master everything yourself?

What I tend to do is start an Ableton session, and just be like, that sounds fun and if I have something that I've written that suits that vibe, then I'll try to incorporate that in there. Sometimes, you write a completely fresh song off of a new session that you've made. I find the best way for me anyways, I'll have my lyrics, and then I'll try to make something to that. But most of the songs that I've written so far have been completely fresh. I've got a whole box of lyrics that I haven't produced yet, because it's just too difficult.

I have a specific mindset for the music to the words, but I'll get the groove down and one of my really close friends, Christopher, he'll fix it up. I'm not the best producer. I won't lie. But he has an ear, and he knows exactly what I need and what I want. This was mastered by my friend, Cash. He’s a lot better at mastering than I am to the sweetest person ever. It's nice to have like a team of people with you that support you. I've learned so much from them.

Tell me more about the EP

Im excited. It's called “Sad Boy”. I'm hoping to get it out by June. I'm excited for that to come out and and be my first. This single is an introduction to who I am. I hope that the EP is a little bit more of an open book for everyone. I'm really excited for that.

You mentioned you have a more formal and classical background. How did that influence what music you made here, which is sounding more modern?

With my grandad, I grew up listening to The Carpenters, Doris Day, Lauryn Hill and then started rebelling against him a little bit. I would say “We should listen to Britney Spears, you're taking me the Britney Spears concert!”. The 90s era influenced me heavily, 90s r&b, which was great. I guess growing up listening to a combination of alternative rock and pop, I love Broadway, I cannot stress enough how much. I picked apart little alternative pieces from all these different genres and then thought, How can I put that all together and I remember listening to Banks's album for the first time. I listened and it was perfect. It was the perfect amount of r&b, perfect amount of lyricism, poetry, everything like that. She's a heavy influence for me. I think that my music is a mixture of everything.

Are there any artists or producers you hope to work with in future?

I would love to work with Social House. I'd love to work this producer called Derek Taylor, who did a lot of Banks album. He's got an ear for for everything and it's so nice. Finneas would be good to work with as well. Yeah…Finneas call me….

You can stream 'Can’t Trust’ now!

FOLLOW HUYEN

SOUNDCLOUD | SPOTIFY | TRIPLE J UNEARTHED | INSTAGRAM | FACEBOOK

INTERVIEW: JAMES (BASSY) KARAGIOZIS - BETWEEN YOU AND ME

For those of you living under a rock, there is a not so new band taking over - Between You and Me (BYAM). The pop punkers signed to Hopeless Records and recently released their second album ‘Armageddon’. With over two million streams in the first week and picked for triple j spotlight album of the week, BYAM are on a rollercoaster that only goes up my friend.

There may be some bias in my affection for the band as I happen to be friends with bass player and all around legend, James Karagiozis aka mister bass or bassy. I convinced him to sit down for a chat and tell me more about the band.

Image: Travis Suttie

Who are BYAM?  

A five piece rock and roll band originally from Melbourne, but now we live in Victoria and NSW.  

How did you meet? 

I was the final piece of the puzzle, Chris and Jamie obviously met when they were born. The twins moved down to Melbourne. Me and Jai played in a band prior to Between You and Me. They needed a bass player somewhere down the line….Jai called me to fill in for a tour and then me and Jake became best friends.

And that's it.  

What's your favourite song on the new album and why?  

My favourite is Real World. I didn’t have anything to do with it. I said to do one thing, and it was the break before the first chorus. That's all I did in Real World. I remember sitting in the studio a month or two after we'd finished with Sam [‘Armageddon’ producer, Sam Guiana] and Jake was flying down to Melbourne to finish the rest of the vocals. When he laid down that chorus, they had just made it and because it was newer, we hadn't heard that song, that's why I liked it.

It also has a vibe of living carefree. So that's why I like that song, it's basically how me and Jake live our lives. He told it in a song, we get money and spend it because we want to have a good time.

“And we’ll worry about real life tomorrow.  ”

— Bassy

Where did the name ‘Bass’ come from? 

This is the most random story. It was one of my friends, the first time I jammed with him to join the band. I was joining to play bass. At the end of the practice, Stu [Stu Watts of Marshall Street Studios] was saving my number in his phone so he could call me if they wanted me to be in the band. He saved my name as James Bass [like the instrument bass]. But then he said James Bass instead [like the fish]. And then from that point on, they called me Bassy and that's how I had Bassy until this day.  

What would your dream venue be to play?

Both in Melbourne and internationally? 

Melbourne - obviously it's The Forum. Absolute dream. I saw Jet play there two years ago and it was sick. They're one of my favourite bands. Playing in there is such a cool vibe, that venue with the blue roof and everything. It feels like you're playing outside. I saw Temper Trap there and it was amazing. If you can play The Forum and sell out The Forum, you have made it.   

International - probably Madison Square Garden if that ever happens. That would be the ultimate, headlining Madison Square Garden.

Attainable? I don't know. But we'll see what happens.  

Bieber did it in a year.  

Well……it's taken us five years to play The Corner! [laughs].

Who are your biggest band influences? 

Number one, Blink 182. Everything I learned is from them. I remember in high school, jamming with one of my mates. We didn't really know how the songs went, but it was so easy to figure out, we taught ourselves how to play music by listening and playing blink. That would be the ultimate influence.  

If we're talking influential for me as a musician, it'd be a lot of early pop punk bands. Pretending to be Deryck Whibley from Sum 41 in my mirror with my Les Paul, singing ‘Fat Lip’ over and over again after school. New Found Glory. In pop punk I like those jokey characters in bands, the bassist from New Found Glory. But anyone that told jokes, I felt jokes and being funny on stage came before actually being good. The instrument kind of came secondary at the start. Then I started to try and write songs after that. I could get on stage and joke around, and then we'll play songs in between our jokes. That's it to me. 

UNIFY 2020

Bass riding an inflatable boat across the crowd

After a show, what is the best post gig food?

I enjoy playing in Philly because we always get Philly cheese steaks after the show at like 2am That's always fun. It's meat and cheese and onions in bread. Whenever we finished playing, it's always late, so it's something disgusting. I do enjoy waffle house late at night in the US. In Australia we go Maccas or something. Any junk food really. I don't like eating before a show so I'm super hungry when we finish because if we're onstage on stage and I feel full I feel disgusting. I'll starve myself before show. And then after we'll pick out whatever is available.  

Actually got it!! Peanut butter jelly sandwich! When we were doing the US and we didn't really have any money I'd make sure we always had peanut butter jelly and bread 

When you are touring, what's on your rider?  

On our actual rider is a bottle of vodka, a slab of beer, slab of Coke Zero and then a meal each.  Dream rider would be a masseuse or someone to feed me grapes…..maybe someone to paint my nails a different colour every night. 

I think you will have people volunteering to do that. 

Actually, on our first US tour, I'd said that I would paint a fans nails at merch and then they bought a sign that said “Sassy Bassy Nail Salon”. I would have to set it up every night….it only lasted two nights. That's pretty fun. I made six bucks. That's pretty good. In Australia, someone paid me $20 to paint their nails. 

Between You and Me are embarking on a headline national tour in February 2022, they are not to be missed! Buy tickets here

BYAM are my top pick for Hottest 100, don’t forget to vote!!

FOLLOW BETWEEN YOU AND ME

INSTAGRAM | FACEBOOK | WEBSITE | YOUTUBE | SPOTIFY

INTERVIEW: ALEX FASSO

Up and coming singer/songwriter Alex Fasso spoke to our writer Keely about his upcoming EP, recent TikTok popularity and an unexpected feature in Rolling Stones India.

So firstly tell me a bit about yourself. How are you going right now?

I’m kind of great at the moment, I’m recording a new EP which is hopefully coming out later this year. Trying to put some music out there which is kind of really difficult at the moment, 'cause you can't even rehearse with bands or anything. But yeah, I'm kind of loving life I actually love lockdown in terms of creativity. I'm actually doing more than I would if we're out and open so it's kind of a weird blessing in disguise.

That's really great that you're being like you feel like it's being really productive for you! Can you tell me a little bit more about the new music that you have coming up? I know you’ve already dropped two singles this year.

The singles that I’ve dropped this year are ‘Love You More’ and ‘Northside’ were just a bit experimental, to essentially just test the waters and see what people like and what they don't like and just using the feedback after that to further the EP. I think there's five songs on there I'm doing a couple with Will Scullin from Big Words and doing a couple on my own. I’m just trying to make as much (music) as possible and then refine it down and cut it. I'm just really excited to have some new projects out there, which are more fulfilled projects rather than just a single. 

That sounds so rad! What is your process look like in terms of putting all of that together? Because I know obviously would be quite different now because we can't see people. 

This is how it starts for me, I always tend I write all my songs in the shower, I bring my phone in the shower. I think of maybe a melody and I sing it into my voice app on my phone. I don’t know what it is, maybe it’s the soothing water who knows, but  I always I always write my songs in the shower. I usually start off with just writing lyrics or coming up with catchy song name or whatever. To me, personally, I know a lot of musicians might disagree with me; but I think that the lyrics are by far the most important part (of a song.) More so than how well you can play guitar, or how well you can sing, or how well produced you are. If you're telling a great story throughout your song, that's all that matters. So for me I always start off with the concept of a story, and then through writing it I come up with the instrumental ideas but really that's kind of second rate to me.

That’s really interesting, I like that you right things in the shower. It’s super unique.  

I've had a lot of close calls where I’ve dropped my phone in the shower had to get the bowl of rice out. 

I know that feeling all too well! Following on from the writing, what does your production process look like? How's your production process been? 

Slow, really slow recently 'cause II like I can sing and play guitar, most musicians can but where I really struggle is producing on my own. I know my way around production software, but I think the main thing that I miss which benefits my music the most is having people around me to bounce ideas off. I really don't like recording or producing or mixing alone, I think its kind of detrimental to the outcome of the song. Because if you don't have those people to bounce ideas off, you could be putting our song which you think is great but without those secondary ideas it might not come out great. You kind of need that trampoline effect. It takes so long trying to produce a song with someone else at the moment, instead of just having someone sitting next to you to bounce ideas off. You have to send an email with a Dropbox link… You know it's just so tedious. So I just cannot wait until we’re out of lock down because I am ready to roll, I'm so ready to make some music. 

So youre latest single is titled ‘Love Me More’ can you tell me a little bit more background about that? 

I wrote that song probably about four years ago, in the shower believe it or not. I just kind of sat on it for a long time and I started playing it live here in there. Whenever I would play it live people started to sing along,  and I was like oh shit I haven’t even put this song out and people already know the lyrics. I thought it was just about time just to kind of bite the bullet and you know actually produce it. But with that it was kind of a weird thing because I had this article that came out and said “Alex Fasso is dropping a new song this Friday,” and I was like oh shit, am I? I don’t think I am.  and then I was like Oh my God I've got it like write and produce a song really quickly.. So I thought, why don’t I do Love me More? I recorded it in this room in about two hours, then sent it off to get mastered. I kind of forgot about it until it came out and David my manager reminded me. Not to degrade the song at all, it’s a great song. I just think that through the rush I kind of lost track a bit. I’m really happy that it’s out there.

What was the publication? 

It was Rolling Stone India, as one of the best up and coming artists! When that happened, I was like this is fucking unreal. I was kind of blown away when that came out because it made me feel like a proper musician, and that the work that I put in is actually paying off. I will finish my career happily knowing now that I got an article in that wonderful, wonderful publication.  

I know that you’ve gained heaps of traction of TikTok lately, have you been trialling songs on there to keep connected with your audience?

TikTok recently has been crazy for me, I don’t know what it is. I think TikTok’s so weird because if you put a video out there, it can have such an avalanche effect once people start liking it and it just rolls on and on and on. It’s kind of awesome to see for not just me, but other artists on TikTok are getting that recognition and gaining big audiences and big viewership’s from just uploading to TikTok. 

Recently because there has been no live gigs I have been experimenting with songs on TikTok. I might write the first minute of a song, and go “oh okay, I think this is pretty good. Let’s put it on TikTok and see if people like it.” Sometimes it gets good reception and sometimes it doesn’t, but I guess that’s music. Again, what I was saying with having someone to produce with, I guess this is just a more magnified version of that where you’re showing everyone a demo being like, “hey, what do you think of this? Let me know.” I know I should write the music that I want to make, and I do, but it’s kind of great to see where my audience is, what they like, and things that I can do to cater to them. I’m just really loving TikTok at the moment, I just think it’s so great. I honestly spend hours a day on it just scrolling through and looking at great musicians. 

That’s incredibly easy to do… I did notice that you popped some mashups up on TikTok recently.  

Yeah! I did one yesterday where a mate and myself were just playing guitar in the backyard. I always like to be filming on my phone in those situations. In my most recent mashup we were just playing and we’re like “oh these chords are kind of cool.” And then I started singing ‘thank u, next’ by Ariana Grande, and did a bit of Kanye West’s ‘American Boy’ over the top of that. I performed that live once and it went really, really well. I’ve got one that I’m working on at the moment with my band, which we will hopefully play at an upcoming live gig. It’s a mashup of ‘Gimme More’ by Britney Spears, which I think is one of the best songs ever written, period. 

I wanna touch back on your upcoming ep. Can you give us any hints of what sort of direction you’re going in? As your last two singles have sounded quite different. 

I think it's kind of perfect combination of the two. It’s definitely a love-themed EP and I feel like people can relate to it whether that be the depressing side of love or the extremely poetic side… They’re all love songs which I’m really excited for because I think it creates a love story throughout the EP. It starts of a bit low-fi and then gets a bit rock and roll towards the end. There’s a couple of collaborations on the album, there’s a song with Holly Hebe which she sings on and helped produced. It’s called ‘House by the Lake,’ it’s really cool and I’m really excited to release that one. Working with her on this project was just an absolute pleasure, I’ve actually never met her, I had DM’d her asking her to be on the song which is how it all came about. I can’t wait to meet her, because I think she’s so fantastic and I’ve kind of idolised her live as well because I’ve seen a couple of clips of her playing shows and she just brings the house down. Having that control over an audience is so rare, especially for softer music. It’s incredibly difficult to do and she does it so well.  

Speaking of live gigs, you have one coming up very soon right? 

Yes! That will be at Stay Gold in Fitzroy on the 18th of November which I’m headling with St. Emerald and Tilly VW.* There are more in the works so you’ll have to stay tuned for those to be announced.

I’m really hoping we come out of lockdown soon because I need to rehearse with my band ASAP. We haven’t played together on any of these new songs that are coming out at all, so hopefully we’ll be able to get together to get things nice and tight. It’s going to be one of the biggest gigs I’ve ever played, and the fact that I’m headlining it is very cool.

*Please note, that this event is now sold out but keep your eyes peeled for upcoming shows.

Lastly, who are your top three Aussie artists/acts right now?

Right now? Big Words number one, I think they’re fantastic. I work with Will and Kieren and I just think they’re phenomenal. I’ve heard a little bit of their new album and it’s a masterpiece, I genuinely just love them so much. 

Stella Donnelly is always going to be one of my biggest influences, she is top tier. I’m hoping she releases a new album this year, that would be amazing. I saw her live once at the Corner, it was one of the best shows I've ever seen. Her stage presence and her voice, again like I was talking about with Holly, the way she can control a room of that size with just her playing guitar and have it be dead silent and everyone paying attention to you is so hard to do. She’s amazing, and she’s an amazing writer. She’ll always be my biggest influence. 

Tame Impala, specifically Kevin Parker’s production. I really like diving into the pieces of his songs and hearing specific production things, like filters on microphones and certain drum sounds. I really like the experimental aspect a lot. 

I was never really a fan of Spacey Jane, but recently I’ve been listening to a lot of their back catalogue and realised that they’re actually really good. When they were popping off, I didn’t get it. So it’s been a bit of a late burn but I actually am really enjoying them.  

OH King Gizzard, they’re actually number one. They are just incredible… I know this is more than three but they’re just great. Like how can you make close to 20 albums and make every single album a different genre. It just shows how talented they are, and they do everything themselves. I really idolise that and I’d love to do that kind of thing one day.  

‘LOVE YOU MORE’ OUT NOW

Listen here

KEEP CONNECTED WITH ALEX FASSO

INSTAGRAM | SPOTIFY | TIKTOK

INTERVIEW: GRETTA RAY ON HER DEBUT ALBUM, ‘BEGIN TO LOOK AROUND'

The darling that is Gretta Ray spoke to our writer Keely about her upcoming debut album ‘Begin To Look Around,’ reflects on the past five years since winning Triple J’s Unearthed High, and talks about some of her favourite moments that helped inspire the album.

Thanks so much for taking the time to chat! I just wanna ask, how are you doing right now? 

What a nice question! Yeah I'm going okay, I mean it's a weird time. I'm in my 6th lockdown, but I’m going okay. It definitely feels like a strange time to be releasing an album but I'm keeping busy. There’s plenty that I can do from home which I'm really lucky that is the case. I think I'm just thinking a lot about the album all the time and I’m really excited to show people.

Your debut ep ‘Begin To Look Around’ is out August 27th, which is incredibly exciting. This has been in the works since 2019 right?  

Yes indeed! We wrote the majority of the record in 2019 and then started work on finishing off the production at the end of that year. I think by the end of January 2020 we had nine of the songs done, production wise. I then went to London for a bit and was hoping to stay there for a while and come back mid-year to record the rest of the record, but obviously that didn't happen… I came home pretty fast. I then had to wait until the end of the year until I could get back to Sydney to finish it. I think we finished in maybe January this year? Or march, I don't know it was mad it just kind of kept going, we worked on it so much so I'm really excited that it’s done. 

You’ve released a couple of Duologies ahead of the release, which is such an interesting way to release songs. I was reading about it and you were saying how you often write in pairs, and when you listen the songs, they’re from different perspectives. I was curious as to why you haven’t listed the duologies in those pairings on the album track listing? 

I think I was always going to do that. I never thought that I would release the album in the order of the Duologies because, initially as I was writing the album I was already getting an idea for the track list in my head before we even made the decision about how we would release the songs. But also there’s songs on the record that people haven't heard yet.

I love to listen to records from track one right to finish. I mean it’s a weird time with music at the moment in terms of how it's digested because there's just so much music and there's so much content with every project. So I think the general consensus is like “just release single, single, single.” I was like ‘I have to tell a full-length album story.’ 

I love full length records and I feel like so many people do. I just feel like it's not spoken about enough when it should be, people still really appreciate listening to an album in that traditional, chronological way. I wanted the album to tell the story of why I wrote those songs when I did, and when it was kind of up and down, and when I kind of turned a corner. I wanted people to hear that in context of a storyline rather than just like these are the two songs that talk about this one specific feeling. 

You can definitely get a sense of that when you listen to the album. You work with quite a few co-writers, don't you? How has that process been for you, especially with the current climate? 

It’s been amazing, I mean it's been the biggest step in my career in terms of my artist project when writing this album. It’s the biggest shift that I had made by getting other people involved in writing the songs because it wasn't really something that I was doing much of at all when I was younger. 

When you’re collaborating writing a song, you either get it finished or at least the bones of a body of work done by the end of the day. That was a completely foreign concept to me. I used to write songs in the sense that if I got an idea that I felt was worthy, I would then spend like months trying to tackle it and getting frustrated 'cause it wasn't doing what I wanted to do. I would then leave it be and I would come back to it and it was an agonising process. It may have resulted in songs that I still really, really love but it meant that I stopped practising song writing. Which was something that because I'm at the beginning of my song writing journey, even though it's something that I've done since I was much younger, I still consider myself to be in really early stages of. 

There's so much that I can learn and the way that I could do that was by working with other collaborators and being open to changing my approach to writing songs. So it's been super rewarding 'cause I think that I shut off that idea, because I thought that if I were to work with other people on songs that were going to be so personal it wouldn't reflect that same personal thing that I had in songs that I just wrote alone. 

It just isn't really true, the universal feelings that we all love to write and sing about are further amplified in the songs when you have other validating voices in the room. You just find a new way to look at it and you can dig deeper, so in that sense it's been really awesome. I've learned so much I can't wait to continue to learn it just gets me excited to write music. I think that creative collaboration has always been one of the great joys of my life and I'm really glad that we were able to do more of that when making this record.

It’s incredible to see that growth, especially since this year marks five years since you won Triple J’s Unearthed High. Do you have a particular ‘pinch me’ moment that’s happened in the past five years?

It’s a wild time that feels like ages ago, but then also not really 'cause there's been this lull of not being able to play shows for two years. Yeah, it's been very interesting to reflect on the fact that that was five years ago. 

I've been very fortunate to have a few of those, but the one that comes to mind, that I still can't talk about without almost laughing just because I think it's so stupid. Was that I played this festival in the UK called All Points East, which on the Saturday of that weekend at the festival Mumford and Sons were headlining. I know them and I’ve played some shows with them before which was amazing, and then at the end of the night after wrapping up their set, (so for context there's thousands and thousands of people, crazy concept to think about now.) I got to sing a song of theirs with them in front of that crowd but THEN I got to sing with them, The Staves, Lianne La Havas, Dermot Kennedy, Jackal was playing guitar, JayBird. So many of those artists I grew up with, in high school I was a massive fan of the Staves, and I'd only briefly met some of them, and Leanne I love. I just remember we’re all singing this Beatles song in front of this sea of people, and Leanne and I just singing to each other. My little self was just like, sorry what is, what is going on? So if there's any footage from that night you'll notice I'm laughing the whole time on stage I just cannot get it together 'cause I thought it was so funny, I was like why am I included this line up? But it was really, really awesome so yeah that was probably one of the biggest pinch me moments. 

If you could go back to five years ago, when you had just won Unearthed High and tell yourself one thing, what would it be? 

I would just say listen to your parents, yeah… Listen to your parents. Listen to all of your mentors and lean on them, hang out with your friends. Which I do feel like were things that I did, I didn’t really stray too far because I had such a high priority to finish school. I was very studious, I loved all my subjects, and my teachers were really accepting of the fact that I went on tour in the middle of the 12, which is ridiculous. So because of their support and their belief in the fact that I could like do both I feel like I was able to honour that. 

 You'll notice that stepping into the industry, and especially with Unearthed High, that's pretty sudden exposure, and that is really weird when you're quite young. As much as I knew I loved music and I really wanted to have it as my job, you just can't anticipate how strange that is when a lot of people suddenly know who you are. I was on tour at the time with Japanese Wallpaper as a part of his band and suddenly it was like ‘oh everyone knows who the girl on the keyboard is.’ It was very strange, but I think that what kept me grounded in that period of time was the fact that I had a really wonderful group of people around me who told me the right things, no one was rushing me into anything. I had great mentors, I had great management, and I think that because they had that patience and the understanding I needed to honour that time in my life meant that I could make the record that I've made now.

I remember reading somewhere that you would you do your assignments in hotel rooms, play a show and then they fly back for school on Monday. 

I remember this one particular morning after we played a show, and it might have even been the morning that the finalists were announced? But we flew in really early from Interstate, my dad picked me up from the airport and then I just went to class. I just remember strolling into class on cloud nine, it was a really sick period of time for sure. 

How did you meet Gab aka Japanese Wallpaper?

That is one of my favourite stories 'cause Gab is such a dear friend and close collaborator now. I was just a massive Japanese Wallpaper fan his project totally opened my eyes to pop music again. I think I'd become a little bit narrow minded. I grew up with a lot of pop in my life for sure but when I was like 15/16 and I was like ‘it's strictly folk/singer songwriters, no pop music will come near me… Except Taylor Swift… But no one else.” Which was stupid because pop music is amazing and expansive and interesting and different, and it's really challenging to write. 

So when I heard ‘Between Friends’ by Gab I was like ‘oh my gosh, I forgot pop music can be really emotional and vulnerable, it’s just with different sonic elements.” I messaged him on SoundCloud, it's so lame because it was the first interaction I ever had and it’s entirely not how we speak as people at all. It was something like “oh how did you do school and music at the same time? Ect...” Then I bumped into him at this show that I was playing as a support act at the workers club in Fitzroy, and we just kind of hit it off. We had a lot of friends in common and I realised that he just was such a nerd about music in the same way that I was. After a little while of being friends, he was like “I need a keyboard player and a backing vocalist, I know that you're studying for exams but do you want to come?”  I said “I will absolutely 100% be there, goodbye “ and then yeah I was on tour. It was very, very cool and a good first experience touring as a part of his band because I hadn't done that myself yet as an artist.

You got to be apart of Gab’s Like a Version a few weeks back, and he collaborated on yours as well. Which was incredible by the way. How did you find that Like a Version experience?

He was very involved in getting that arrangement together, because after all this time of knowing each other and admiring each other’s projects, he has a really good grasp on what it is I want to achieve as an artist and what direction I'm headed in sonically. 

It was pretty scary, but it's a really great opportunity. There were moments throughout the past five years where I thought maybe we're going to do it here or there, but I'm relieved I'm more of a seasoned artist now. When you get in that room it’s really daunting and you want to honour the song, and you know how many eyes are going to be on you as well which is quite full on. I’m really glad we had the chance to do it when we did. I love my band and I love that song so much. I think that I was unknowingly preparing for it years before hand just watching Gang of Youths sing it so much. 

You’ve got quite a good relationship with the Gang of Youths members right? 

I do! I'm very fortunate they’ve taken me on the road a couple of times as their opening act. Which was so surreal because the size of the shows and their audiences is so loyal and wonderful. To be exposed to that at the time was amazing. That was a time at the end of 2018/early 2019 when we were playing shows, that their record was having the most wonderful life in the world. It was my favourite record at the time. It was a beautiful thing to be a part of that journey with them for sure. 

Dave features on one of the songs on your album, Worldly Wise. How did that collaboration come about?

I basically knew once I had the melody of the song, the melody of the chorus in particular. I wanted layered backing vocals and I wanted that base-y, male tone. There are just some songs that I feel really need it and I knew that his voice would be perfect for it. 

In terms of what that song ended up meaning to me and where I've placed it on the track list, I think it is just so fitting that he's singing those lyrics, “lift your eyes… Are you ready to roll?” That I may have written, but when I was on tour with Gang of Youths I was in a place in my life where I was really trying to find my feet. I was going through a breakup and I was just trying to regain a sense of independence and sense of self. Often Dave was saying that kind of stuff to me in our private conversations, and being like “yeah but you know you're gonna go out there and sing. And you're going to do this record and it's going to be great.” He’s very much like big brother to me, all of those boys are. To have them involved on this record, considering the journey of it and when I was writing it, it just makes so much sense to me. I

On your track ‘It's almost Christmas in Philly’ you have an audio snippet in there at the end, what’s the story behind that to why you included it? 

Well, that song is inspired by my friend and day-to-day manager Sam. The first time that we went on tour together, which was to open for Gang of Youths. We were in a hire car driving around North America, driving through the middle of nowhere. Staying as he says “middle of fucking nowheresville Kentucky” overnight to get back on the road and get in the car for another eight hours. When that becomes your lifestyle for three weeks you end up opening up to each other a lot or having conversations that just crash land into this really deep and meaningful conversation. I think that the space of a car is quite a confessional space as well. Someone who was interviewing me the other day was saying you feel like you can open up more because you don't have to look at the person because they're driving. That’s why you find yourself in that moment. 

One of the days that we had on that tour that felt particularly magical because we were in Philadelphia for a day, and when you’re in America you always feel like things are really like the glory of America or something. It was the day that I was about to play my 4th or 5th show, and it was just a particularly picturesque moment. We were walking down this main road in Philly with all of these Christmas lights 'cause it was mid-December. And you know the idea of a wintery Christmas was just so foreign to me. There were carols coming out of speakers on the street, and all these decorations. We were just prancing through the street like idiots and so that's why I ended up calling this song ‘It's almost Christmas in Philly.’ 

The voice memo at the end just kind of captured a comedic element of what those three weeks on the road looked like. Which was just us getting stuck in stupid, car related scenarios. I took that audio from a video on my phone and we were driving through a snowstorm. Sam is from the UK so he was driving on a different side of the road, and I couldn't help with any of the driving that trip because was too young.  He was just like “oh my god, why, it's so late, we're in the middle of nowhere!”  And I captured his stress and put it at the end of the song so that's the story. 

You’ve got the ‘Becoming’ tour coming up in October, and the Fingers Crossed Mini-Tour coming up in the next few weeks hopefully. How are you preparing for that? 

I feel like I've forgotten what it’s like almost because it's been so long. I've played one show of my own during this time and have jumped up to sing with a few friends at their shows but that's kind of the extent of it since March 2020 when I played a show in London.  

I just rehearse as much as I can, I think that especially now playing a new show which we've only gone to do once for Splendour XR. But I don't have an instrument, I am relying solely on my stagecraft to be captivating. Which means I can focus mainly on my vocals, but it also means that I have to make sure I really know what I'm doing performance wise. 

I have one last question for you, who are your top three favourite Aussie artists right now? 

Oh man there's so many. At the moment I'm listening to Sycco a lot, her ep is good. What in the actual fuck of talent, like it's so mad it's insanely good. My friend May-a, her ep just came out. It’s so good as well. And Mia Wray, she’s got a couple of songs out. She’s got this killer, boss like, Meg Mac-esque vocals and her songs are really upbeat and fun. She released a song called ‘Needs’ a little while ago and it’s awesome and I love the visual content she’s doing. 

GRETTA RAY – DEBUT ALBUM ‘BEGIN TO LOOK AROUND’ 
OUT TODAY

LISTEN HERE

‘BEGIN TO LOOK AROUND’ TRACKLISTING

1. Becoming

2. Bigger Than Me

3. Passion

4. Happenstance

5. Human

6. The Brink

7. Paris

8. Cherish

9. The Cure

10. Readymade

11. It’s Almost Christmas In Philly

12. Worldly-wise

13. Learning You

14. Love Me Right

15. Care Less

KEEP CONNECTED WITH GRETTA RAY

INSTAGRAM | FACEBOOK | TWITTER | YOUTUBE

INTERVIEW: MONTANA SHARP IS RADIATING ‘POWER’ WITH HER LATEST SINGLE + VIDEO

Tell me more about your new single, Power?

I wrote it at the tender age of 21, mainly because it was cathartic but also because my upcoming show’s set was one-song short and I was running out of time, so I had to whip something together very quickly. I was mid-break up and just feeling frustrated that I kept creating the same dynamics over and over, so I documented that feeling in the story.

 Is this a taste for an upcoming EP or Album?

Upcoming EP at the end of the year! This is the second song on the track listing. The Ep kind of starts in more of an angsty angry place like this and then moves into more of an uplifting vibe.

 What was it like filming the video for this? I love the Alice in Wonderland vibes – it also reminds me of parts of Taylor Swift Blank Space video.

 Oh I love that! My roommate is a die-hard Swiftie so I wonder if she agrees. I shot this video and my last video (Greenhouse) with Majella Productions and I think they just really get my vibe and my music. They always make it as fantastical as possible and are so creative and imaginative. I was so nervous the first time I shot a music video, but this time round I just had fun and enjoyed getting to know everyone on set. In reality, the artist has the easiest job on the day - just gotta stand on your mark and lipsync like you’re on RuPaul’s Drag Race. 

What was the production process for this single? Did you record in a formal studio or home setup?

I record in a formal studio - Soggy Dog Studio in Melbourne. I also work there as a session musician. Steve (my producer) has been doing this for 35 years and has such a wealth of knowledge. We started laying down the track in early 2019, and continued working on it together till earlier this year - partly due to Corona and also partly due to me being a maximalist who wants to keep adding parts in. 

 You had a recent show at Wesley Anne? How did it go! Any favourite moments?

It was honestly one of my favourite performances to date. The audience rapport was so fun and I felt very comfortable. It was my first gig back since Covid and it made me remember how much I love performing. My favourite moment was me walking around in disguise before the show because I really had to pee and didn’t want to reveal my outfit. The band was particularly amazing to work with as well - I had a little string trio and they just immensely elevated the sound. I also enjoyed chucking a bouquet of faux-roses to the audience as I walked off stage. 

I am curious to know more about how you blend your classical training with the pop influences?

My vocals are pure pop - no classical influences there. However, I did the whole classical piano route through childhood and I think that has really influenced my songwriting in terms of chords. I like to go for harmonic progressions that are atypical and may seem a little bit ‘extra’ for modern pop.

Who are your biggest musical influences?

Alanis Morissette. Barbra Streisand. Judy Garland. Beyonce. ACDC. Sia. Queen - weird mix of artists really. 

What songs are in your ‘On Repeat’ playlist at the moment?

The High Road - Joss Stone, Dancing With The Devil - Demi Lovato, Stars - Grace Potter and The Nocturnals, You Oughta Know - Alanis Morissette.

What can fans expect to see next from you?

 More shows, more songs, more merch, more memes - more Montana :) 

---

Montana Sharp - ‘Power’

Out May 7

---

FOLLOW MONTANA SHARP
FACEBOOK | INSTAGRAM | SPOTIFY | YOUTUBE

INTERVIEW: DAYS LIKE THESE ARE KEEPING US ‘WIDE AWAKE’ WITH LATEST EP

Congratulations on the EP! Can you tell me a little bit about the inspiration behind it?
Thank you so much! Wide Awake was created over such a long period of time. The EP doesn’t have a consistent story or theme as such, but I think you can hear the growth of Days Like These as a band. We definitely feel that we found ourselves as musicians throughout the journey of creating this body of music. The title stems from a lyric I used in multiple songs across the EP, and
I think the words ‘Wide Awake’ also sum up what I was just mentioning before about realising and
finding ourselves as musicians.

What’s your favourite song off of Wide Awake?
My personal favourite song will have to be ‘High & Glow’. I think it’s the most unexpected song on the EP, and I hope it surprises people who haven’t heard it before listening to the record. It’s
heavy, energetic and incorporates some very cool soundscapes and atmospheres.

What did the production process look like?
We went into this EP not really knowing what we wanted out of it. In the past, we’ve played with quite a few different sounds, but when we were writing this material, we were really struggling to complete songs and be stoked with them. In the end, we just took the best songs we had to Chris (Lalic) and we deconstructed them and made them the best we could. Two of the songs we wrote from scratch while we were in the studio and they turned out to be some of the best.

Who are the top three Aussie artists/acts you’ve been listening to recently?
- One band I always keep coming back to is Ocean Grove. The development on their latest
album is incredible, considering the setbacks they faced as a band. They came back
stronger than ever and some of the best OG songs are on Flip Phone Fantasy.

- A smaller band from Adelaide called Heartline have recently found themselves on my
radar. They just put out an amazing EP and I can’t wait to see what the rest of the cycle
has planned for them. I’d love to play a show with them at some point.

- Lastly, and with absolutely no shame, I am obsessed with Amy Shark. She just released
her new album too and it has made me fall in love with her all over again. I think her story is
very motivational too. The amount of hard work she put in for all those years is incredible.

What’s next for Days Like These? Any live shows coming up?
Yeah! We have a headline show at the end of this month which we are incredibly excited for, it’s
going to be a very special night. For the following months, we have a handful of shows lined up which are nearly ready to announce, but I can’t say anything just yet. Other than that, we already
have a huge amount of new material.

PRESS RELEASE FOR THE UPCOMING EP ‘WIDE AWAKE’ HERE

INTERVIEW FEATURE: JULIA STONE - YES, THAT JULIA STONE…

In what may be one of our biggest interviews to date - Tori spoke to Julia Stone on her upcoming album ‘Sixty Summers’ and it’s a ripper-

---

In my early teens I had begun the exploration into my own music taste. Dad introduced me to Sting, INXS, U2 and The Killers, while mum was more comfortable with the softer sound of Diana Krall and Nora Jones. One of the first songs that resonated, independent of anyone else’s influence was Mango Tree by Angus and Julia Stone. The sweet melody and lyrics were nothing like I had heard before, and so their music became a staple on my CD mixes and playlists.

It wasn’t long until everyone seemed to agree, as ‘Big Jet Plan’ let Angus and Julia Stone fly to the number one position in the 2010 Triple J Hottest 100. This cemented them as Aussie favourites for many years to come, even after parting ways to explore their own projects. Angus saw success with Dope Lemon while Julia released The Memory Machine (2010) and her second studio album, By The Horns in 2012.

In between releasing another outstanding collaboration with her brother, Angus in the form of their 2017 album Snow, Julia was working behind the scenes to develop her upcoming album, Sixty Summers. I had the privilege of meeting with Julia to talk about where Sixty Summers came from, her answer was bittersweet;

“this period of summer in my twenties when I would come back from London and spend summer in Australia…..this particular friend of mine, we’d spend those summers together and we go to parties and go the beach and it was just really a beautiful time and really memorable but, what I do remember about it was that it would just come so quickly all of a sudden it was summer again. I’d be back in Australia, and this whole year of touring and living in London had just gone by. On the third summer of this period of time we’re at a really fun party and were on the dance floor, we’re having this beautiful night, it was just one of those magical nights where it’s all flowing and you know, celebrating love and life and she turned to me in this moment of urgency and grabbed me by the shoulders and said can you believe we’ve only got 60 summers left. It struck me as not very long and I had this feeling of the urgency and immediacy of needing to leave the 60 summers in the best possible way….to actually make your 60 summers worthwhile and valuable”

The limited approaching summers, filled with friends and family was evident, but Julia wasn’t going to rush through things. Sixty Summers was constructed between 2015 and 2019, with one track dating back further,

“I am no one, I had that song for years and I always loved singing it, but I never had the right feel for it… it was nice, it was very folky, very fleet Fleetwood Mac, I guess in a way out of all of the tracks on the record it’s probably the one that is the most folk. A tip of the hat to that traditional singer songwriter acoustic guitar playing world that I’ve come from”.

Julia remains a folk artist at her core, she is pushing forward and breaking new ground with her talents, but she still has inspiration from her past;

“I grew up playing the trumpet from when I was five or so. I think my love of horn and wind instruments has always been there and I love it used in pop music. I think naturally as we were working, in writing that was something that I was gravitate to”.

The horns are strong in her title track, Sixty Summers and create contrast to her soft vocals. When recording vocals, the progression in music technology gave freedom to both the equipment and locations used to record the album;

“when we started making Snow, I realised that the recording vocals for me was getting a lot easier to do if I recorded myself. I felt like I had enough skills on Pro Tools and running a studio that I could do it myself, it wasn’t anything to do with engineers not being good enough, it was just that I knew what I wanted to get to. When I had control of the desk, I felt like it was a much easier process for everybody. During the recording of [Sixty Summers] I would take myself off with the microphone and my preamp and stuff and do a lot of writing and developing hooks. I try for lead vocals to do them through a really beautiful microphone in the nice studio Thomas [Producer, Thomas Bartlett aka Doveman] has got an amazing $20,000 microphone that sounds incredible but sometimes the vocals you do or the parts that you create at home, because of the relaxed nature of it I also think and sound really powerful. I’m a fan of whatever works, that sounds good - it is good”.

Her vocals and melodic flow lend themselves to remixes or covers in other genres. Previous songs like Big Jet Plane and Chateau have been mixed and born into new forms. Julia noted this was something loved and was keen on exploring in future;

“I really love remixes and I think where I’d like to go is to go even more dancey. I just loved getting sent dance tracks and padding right into it and so I’d like to make a whole record like that actually, use more stuff that I write as the foundation and then build them up with different DJs. I’m a huge fan of clubbing and I love dancing and so to go more down that road… who knows I mean, we’ll see, I would love that album”.

Me too.

“I’ll keep you posted it might be the next one!”

Julia, as with most musicians expressed her longing to return to tour life. She has been on the road most of her adult life, and clearly misses the connection with her fans. Like many of those in the arts and music industry, she expressed her disappointment at the government covid response;

“I think historically when it comes to government and politics, the arts are in general forgotten about and I’m not saying that’s across the board, there have been governments that have understood the intrinsic value of supporting the creative arts. I think all civilisations that thrive have a really well-supported out artistic industry. I think the fact that you know there’s been such disparity between things like sports and music and dance and all of that kind of being is it’s really disappointing. I definitely see the value in sports, I am a huge fan of sports and I think it really brings people together but in the same way that festivals, music and dance”.

Julia is working hard behind the scenes for her album tour to hit the road. COVID has made her cautious, waiting until they can be sure lockdowns or border closures won’t cause cancellations or the dreaded re-schedule.

While we are waiting to see Julia in person, you can enjoy her cover of The Partisan by Leonard Cohen that she recently recorded with Paul Kelly here. Julia was shocked to discover she and Paul share around the same monthly Spotify streams;

“oh wow I didn’t know that….he’s such an incredible musician and such a hard worker, that’s a huge compliment”.

Who are your most recent songs?
- All of the light, Kanye West
- The Partisan, Leonard Cohen

FOLLOW JULIA STONE
WEBSITE INSTAGRAM FACEBOOK TWITTER
SPOTIFY APPLE MUSIC YOUTUBE