Australia, Sydney, Pop, Alternative, New Release, Single, Womxn The BackBeat Podcast Australia, Sydney, Pop, Alternative, New Release, Single, Womxn The BackBeat Podcast

INTERVIEW: BEKS ON HER NEW SINGLE AND PROJECT

Alt-pop queen, Beks (FKA RACKETT) chats to the BackBeat about her latest single and video ‘Stars In My Eyes’.

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Alt-pop queen, Beks (FKA RACKETT) chats to the BackBeat about her latest single and video ‘Stars In My Eyes’.


Can you give us an outline of your transition from ‘RACKETT’ to ‘Beks’? What were your intentions behind the new name and project?

Beks is an extension of myself personally. I changed my name to strip back the layers and to better represent my solo work moving forward. I’ve been on a journey of self-discovery through music, writing with producers and artists from all around the world. I’ve been writing so much music that has informed me more about who I am as an independent songwriter and what I can create with confidence in myself. I’ve chosen to adopt my new artist name Beks to signify a new era for me as a songwriter. A new beginning, one that will carry my new work cohesively into the future. Since September 2020, I’ve been working daily with songwriters and producers in studios within Sydney and also in the UK via zoom. I’ve set out to create a mixtape which features co-writes and production by Taka Perry, Jim Eliot (Ladyhawke, EAST), Xira, Cam Nacson, Tasker, Lucy Neville, Nina Jirachi, Kim Moyes (The Presets), Airports and more. This mixtape has developed my sound, leaning further into pop than ever before

You’ve recently released your single ‘Stars In My Eyes’ alongside a music video which features you portraying three different characters. I’m assuming these characters are representations of yourself, could you tell me a little bit about each of them?

Yes, these are the different parts of my personality. The light, ethereal type angel is the naive dreamer, the glamorous mermaid is the sensual part of my personality expressing my sexuality and the fearless daredevil represents the risk-taker and the showwoman inside me. The angel is set in a rundown fairgrounds ride yard amongst dandelions, the mermaid sits on a led lit coral sprout and the daredevil rises on a forklift, balancing on the beams 3 meters in the air without a harness in heels.

As a songwriter, you seem to pull a lot of inspiration from your personal experiences as well as your development as an artist and a person. What else inspires your writing? 

Yes, that's true, most of what I write is directly based on my experiences and the emotions I need to express. But since I've been co-writing so much, I haven't had a lot of time for socialising and dating so I've drawn from my co-writers' experience. I recently wrote two new songs with Clara Fable for my mixtape and these stories were based on her personal experience, I'd kinda run all the option out of my own heartbreak by then. I also wrote a song with Korkey Buchek for my mixtape called 'Fermented Mandarin' which is about my fancy friends' obsession with skin contact wine and another one with Taka Perry and Luke McChesney called 'Reject Party' about getting kicked out of my house recently. It's refreshing to find new topics that aren't always about a singular romantic fail.


What has been your COVID-19 experience? Did you find it a time for rest and reflection or an opportunity to crack down on songwriting and creating?

Covid was a really busy time for me actually. In April 2020, I conceptualised, produced and directed 'Loud n Queer TV' with Heaps Gay and Create or Die. It was an idea I had for a live stream show from my room which I pitched to Heaps Gay and Create or Die who jumped onboard. We co-created three seasons which aired on Sydney Gay and Lesbian Mardi Gray, focused on delivering an hour-long variety show with performances by artists from the LGBTQIA+ community. We've been nominated for an FBI SMAC Award which is pretty cool. After we completed three seasons, I jumped back into my music full time, writing with producers and artists in Australia and in the UK via zoom to create my debut mixtape. I got a publishing deal with Wise Music as well, during COVID so writing K-POP and really embracing what my life would look like as a full-time songwriter.

With restrictions in all states easing, gigs and tours are finally back! Do you have any gigs lined up? And anything you’re looking forward to? 

I'm working on my mixtape which is now 15 tracks long and unlike my old music, I didn't use any guitars or live drums, all beats and synth so I'm excited to reinterpret that, live. I don't have any shows at this stage, I'm entering a whole new market of pop so I'm spending some time learning about that scene.

Speaking of gigs, what would be your dream festival line up for you to play alongside?

Oh yes, I love this question. My favourite artist is Charli XCX so I'd be stoked to play anywhere with her, added bonus A$AP Rocky and Solange.

Top 3 artists you’ve been listening to recently and why?

I just got my Spotify summary back for 2020 and my top 3 artists I listen to the most are me (lamo), Dante Knows and Charli XCX. Atm I'm listening to Muki, Clara Fable, Caroline Polachek, Ash Nikko, Dorian Electra and Nikki Fresh! If you don't know Nikki Fresh, it's Nicol Richie's environmental rap project produced by Joel Madden and my favourite discovery of 2020. It's all on my POP AF playlist.

Finally, what’s next for Beks?

So I've just dropped the first song off my mixtape 'Stars in My Eyes' and the second single 'The Thing About Us' is out on Friday, Dec 11th. It's an absolute dance floor banger I wrote with Cam Nacson(Sad Boi) and Tamika Nacson (Xira) and just found out it's been added to Nova Coles radio so listen out when you're doing your Christmas shopping (haha). In 2021 I'll be dropping new music I made with Taka Perry, Kim Moyes (The Presets), Jim Eliot (Ella Goulding), Korkey Buchek, Lucy Neville, Clara Fable, Airports and more. BTS I'll be continuing to co-write and try to have somewhat of a personal lifeto draw from.

Stars In My Eyes’ is out now! Stream HERE

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FEATURE: EVIE CHATS TO BEC SYKES ON EDITHVALE AND GIVES US HER RUNDOWN ON THE SINGLE

Every so often you hear a song that completely transports you to somewhere else. It is engulfing, wholesome, and wounding all at the same time. It is that final puzzle piece that makes the end of a relationship make so much sense. It is a memory.

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Every so often you hear a song that completely transports you to somewhere else. It is engulfing, wholesome, and wounding all at the same time. It is that final puzzle piece that makes the end of a relationship make so much sense. It is a memory.

Yet Bec Syke’s debut single, whilst seemingly relatable in so many ways, captures a time unique to the beholder. Through the simplistic beauty of stripped-back melodic vocals, Melbourne based singer-songwriter shares Edithvale, a story about the end to a relationship realised by the torching of a car.

“My ex-boyfriend [and I] used to drive down to Edithvale beach in summer,” Bec says. “My ex’s car got stolen and set on fire just after we broke up, so I was thinking about how much of our relationship took place in his car. The car being set on fire was like a symbol of our relationship going up in flames.”

Symbolic to its core, Bec explains the how writing process came to her organically.
“I wrote the song on my family’s upright piano and the chords, melody and first few lines poured out of me so naturally. It was quite cathartic to write.”

The sombre piano chords Bec describes initially set the tone for the song, but it is her opening vocals which induce multiple emotions, many of which I was not prepared for…

I want to be in love again. I don’t want to be friends

It is that line – honest and raw – which takes the listener on a journey told from the front seat of a car in a hot summer’s night. Whilst the song resonates with the pain of a relationship’s end, it doesn’t simply park in the heartbreak, instead it reflects the complex emotions of happier times.

Bec’s vocals are flawless, her storytelling abilities showcased as she draws her listener in to glimpse a memory with intimate closeness. This song doesn’t include all the flashy bells and whistles- nor does it need to, with vocals as mesmerising as hers.

Although a relative newcomer to the music biz, Bec’s talent scored her the chance to work in the studio with Tom Iansek (Big Scary and #1 Dads) which led to the creation of Edithvale. Recently presented with the Josh Pyke Partnership – a yearly grant whose previous winners include Angie McMahon and Gordi – it is safe to say this artist is making headway in the world of music. Bec Sykes is clearly a name to remember, and I cannot wait to hear what is next in store for her.

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PREMIERE: Thea Fitzgerald CLOSES OUT THE BUILDING BLOCKS ERA WITH TWO FRESH VIDEOS

Thea FitzGerald closes out the Building Blocks era with two fresh videos, and we’re pumped to be bringing them to you here first! Better late than never, 23 year old Melbourne singer-songwriter Thea FitzGerald has two brand new videos to round out her debut body of work - Building Blocks.

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Thea FitzGerald closes out the Building Blocks era with two fresh videos, and we’re pumped to be bringing them to you here first! Better late than never, 23 year old Melbourne singer-songwriter Thea FitzGerald has two brand new videos to round out her debut body of work - Building Blocks.

Adding to the stunningly vibrant visuals previously released for ‘Stuck’ and ‘Holding Your Hand’, the killer team at Thick Heart Productions have worked with Thea to add to the collection with videos for ‘Breathe’ and ‘Higher Ground’. With a huge focus on colour to build the emotional narrative of each story, these new videos are absolute eye-candy.

The new videos add aesthetic and emotional symmetry to the body of work - the upbeat playfulness of ‘Higher Ground’ bears resemblance to the somewhat chaotic mix of cheek an pain in ‘Holding Your Hand’, whilst the solitary power of ‘Stuck’ is mirrored in the confined discomfort of ‘Breathe’. There’s a stellar cast involved too - Stephanie Wall, Ed McCullough and Sarah FitzGerald beautifully execute the story of Higher Ground, and Tamara Bailey nails her performance in Holding Your Hand.

WATCH THE NEW MUSIC VIDEOS HERE!

If you haven’t yet sussed the Building Blocks EP, you’re bound to love something in there – it’s a catchy fusion of pop, indie and R&B with infectious hooks, and will not disappoint! These new videos are the perfect ending to the Building Blocks chapter, making way for the release of Thea’s highly anticipated second EP later this year!


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