anthem, Experimental, hip hop, triple j, alternative, grime The BackBeat Podcast anthem, Experimental, hip hop, triple j, alternative, grime The BackBeat Podcast

THE RIOT RETURN WITH THEIR STRONGEST STATEMENT YET: NEW SINGLE & VIDEO ‘SEE IT BELIEVE IT’ OUT TODAY

Three-piece THE RIOT returns today with their strongest statement yet, a song that speaks to the trio’s vision and ability to find unity in a time of chaos.

Opening with an almost Moses Sumney-like choral part before ducking and weaving through rap and hardcore, ‘See it Believe it’ is an anthem for those who have never had one written for them, a siren call to those unseen by a failing system.

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pop, aria, anthem, indie pop, new york, london, singer songwriter The BackBeat Podcast pop, aria, anthem, indie pop, new york, london, singer songwriter The BackBeat Podcast

EMI MUSIC AUSTRALIA RELEASES “EASY”, TROYE SIVAN, KACEY MUSGRAVES FEATURING MARK RONSON

Today, EMI Music Australia releases “Easy” - Troye Sivan Kacey Musgraves Featuring Mark Ronson. Troye and Kacey collaborate on this new version of the song, weaving in a bittersweet perspective with Mark adding trademark energetic melancholy.

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electronic, triple j, alt pop, anthem, alternative, melbourne, adelaide The BackBeat Podcast electronic, triple j, alt pop, anthem, alternative, melbourne, adelaide The BackBeat Podcast

SHAHRAE RELEASES EDGY, ALT-POP ANTHEM ‘CONTROL’

Adelaide-born, Melbourne-based rising alt-pop star Shahrae has released her latest tune “Control.” The powerful bassline and dark, haunting electronice tones encapsulate the uniquely ethereal qualities of Shahrae’s stunning vocal capabilities.

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Dance-pop, anthem, dance, electronic, groove, confidence man The BackBeat Podcast Dance-pop, anthem, dance, electronic, groove, confidence man The BackBeat Podcast

CONFIDENCE MAN BRING YOU NEW SINGLE AND VIDEO ‘FIRST CLASS BITCH’

Equal parts sass and lose-your-cool good vibes, Confidence Man’s 'First Class Bitch' provides the perfect foundation for remixers to stamp their mark. Groove Armada turn ‘First Class Bitch’ into a spiralling anthem, keyboards creaking and wheezing to a satisfactory conclusion.

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