It’s a return to her established sound, carrying on the intelligent restraint of her previous album I Know I’m Funny haha with her trademark so-subtle-you-don’t-always-notice-it’s-so-cutting, self-deprecating edge that should appeal to fans new and long-time. If by the time someone is halfway through album opener Thinking About You, they aren’t on board with Webster’s way of storytelling, when the six-and-a-half-minute track finally finishes, they should have gotten the point - …

It was the first Friday night of September and footy finals fever was in the air, yet my mind remained on other things. I was seeing a band who would prove to be worthy adolescent reincarnations of the messiah, who were also partial to some flirting in denim. Enter, Teen Jesus and The Jean Teasers.

Underneath a starry sky, surrounded by beautiful statues and architecture, I found myself in the front of the stage behind the barricade- a position I’m not too familiar with. Naturally, you could find me in the photographer’s pit, but this time I’m in amongst the crowd, eagerly awaiting the events of tonight’s show - Holy Holy.

It was the battle of the decades in the Workers band room on the night of Friday the 13th. Jervis Bay charmers Debbies fused their Skeggs-reminiscent-surf-punk with looking like they’d just strolled off the set of Puberty Blues, whilst front-woman Hallie appeared like a late 90s fever dream sporting Gwen Stefani No Doubt era vibes, and finally, the cheeky Adelaide duo TOWNS stayed true to blink-182 influences in baggy trousers and flannies and performed a phenomenal cover of Smashmouth’s ‘Allstar’. 

The band has only ever played one other show a few months ago at The Workers Club, but smash cut to Wednesday night, where we die-hard fans stood in the Retreat’s band room, donning thick woolen scarves and clasping pints.