Just before midday on my favourite day of the year (Laneway day), I find myself in an Uber to Flemington Racecourse. It’s my first Laneway in Melbourne, though I haven’t missed the festival since 2018. Depending on who you ask, I was too early for anyone worth seeing, such as headliners Dominic Fike or Stormzy. But, as I prepared for my fifth Laneway, I knew I was in for a marathon day of the best up-and-coming local acts sharing the stage with some of the world’s finest talent. 

I trotted off the plane giddy with anticipation – hands full with heavy luggage and camping gear. While I overlooked the vibes town stage with the stunning backdrop of Tassies natural beauty, I knew I was in for a great ride.  Exhausted from the 4am plane ride and the 20kg loads of camping gear on our backs, we set up camp in the 30-degree heat, filled with excitement for the day ahead. 

It was the first Friday night of September and footy finals fever was in the air, yet my mind remained on other things. I was seeing a band who would prove to be worthy adolescent reincarnations of the messiah, who were also partial to some flirting in denim. Enter, Teen Jesus and The Jean Teasers.

Underneath a starry sky, surrounded by beautiful statues and architecture, I found myself in the front of the stage behind the barricade- a position I’m not too familiar with. Naturally, you could find me in the photographer’s pit, but this time I’m in amongst the crowd, eagerly awaiting the events of tonight’s show - Holy Holy.

It was the battle of the decades in the Workers band room on the night of Friday the 13th. Jervis Bay charmers Debbies fused their Skeggs-reminiscent-surf-punk with looking like they’d just strolled off the set of Puberty Blues, whilst front-woman Hallie appeared like a late 90s fever dream sporting Gwen Stefani No Doubt era vibes, and finally, the cheeky Adelaide duo TOWNS stayed true to blink-182 influences in baggy trousers and flannies and performed a phenomenal cover of Smashmouth’s ‘Allstar’.